England -- Social life and customs -- 20th century -- Fiction; English fiction -- 20th century; Journalists -- Fiction
Eileen, who was capable, ignoring all polite conventions, of walking a
mile with a slight acquaintance without uttering a word, because she was
feeling lazy, or thinking of something interesting, or because her
companion bored her, was just now in a conversational mood. She rather
liked Eddy; also she saw in him an avenue for an idea she had in mind.
She told him so.
“You work in the Borough, don’t you? I wish you’d let me come and play
folk-music to your clubs sometimes. It’s a thing I’m rather keen
on--getting the old folk melodies into the streets, do you see, the way
errand boys will whistle them. Do you know Hugh Datcherd? He has musical
evenings in his Lea-side settlement; I go there a good deal. He has
morris dancing twice a week and folk-music once.”
Eddy had heard much of Hugh Datcherd’s Lea-side settlement. According to
St. Gregory’s, it was run on very regrettable lines. Hillier said, “They
teach rank atheism there.” However, it was something that they also
taught morris dancing and folk-music.
“It would be splendid if you’d come sometimes,” he said, gratefully.
“Just exactly what we should most like. We’ve had a little morris
dancing, of course--who hasn’t?--but none of the other thing.”
“Which evening will I come?” she asked. A direct young person; she liked
to settle things quickly.
Eddy, consulting his little book, said, “To-morrow, can you?”
She said, “No, I can’t; but I will,” having apparently a high-handed
method of dealing with previous engagements.
“It’s the C.L.B. club night,” said Eddy. “Hillier--one of the
curates--is taking it to-morrow, and I’m helping. I’ll speak to him, but
I’m sure it will be all right. It will be a delightful change from
billiards and boxing. Thanks so much.”
“And Mr. Datcherd may come with me, mayn’t he? He’s interested in other
people’s clubs. Do you read _Further_? And do you like his books?”
“Yes, rather,” Eddy comprehensively answered all three questions. All
the same he was smitten with a faint doubt as to Mr. Datcherd’s coming.
Probably Hillier’s answer to the three questions would have been
“Certainly not.” But after all, St. Gregory’s didn’t belong to Hillier
but to the vicar, and the vicar was a man of sense. And anyhow anyone
who saw Mrs. Le Moine must be glad to have a visit from her, and anyone
who heard her play must thank the gods for it.
“I do like his books,” Eddy amplified; “only they’re so awfully sad, and
so at odds with life.”
A faint shadow seemed to cloud her face.
“He _is_ awfully sad,” she said, after a moment. “And he is at odds
with life. He feels it hideous, and he minds. He spends all his time
trying and trying can he change it for people. And the more he tries and
fails, the more he minds.” She stopped abruptly, as if she had gone too
far in explaining Hugh Datcherd to him. Eddy had a knack of drawing
confidences; probably it was his look of intelligent sympathy and his
habit of listening.
Public-domain text, read in full here on John Shaqi.
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