England -- Social life and customs -- 20th century -- Fiction; English fiction -- 20th century; Journalists -- Fiction
He wondered for a moment whether Hugh Datcherd’s sadness was all
altruistic, or did he find his own life hideous too? From what Eddy had
heard of Lady Dorothy, his wife, that might easily be so, he thought,
for they didn’t sound compatible.
Instinctively, anyhow, he turned away his eyes from the queer, soft look
of brooding pity that momentarily shadowed Hugh Datcherd’s friend.
From in front, snatches of talk floated back to them through the clear,
thin air. Miss Hogan’s voice, with its slight stutter, seemed to be
concluding an interesting anecdote.
“And so they both committed suicide from the library window. And his
wife was paralysed from the waist up--is still, in fact. _Most_
unwholesome, it all was. And now it’s so on Charles Harker’s mind that
he writes novels about nothing else, poor creature. Very natural, if you
think what he went through. I hear he’s another just coming out now, on
the same.”
“He sent it to us,” said Arnold, “but Uncle Wilfred and I weren’t sure
it was proper. I am engaged in trying to broaden Uncle Wilfred’s mind.
Not that I want him to take Harker’s books, now or at any time.... You
know, I want Eddy in our business. We want a new reader, and it would be
so much better for his mind and moral nature than messing about as he’s
doing now.”
Cecil was saying to Billy and Jane, “He wants me to put Lesbia behind
the window-curtain, and make her overhear it all. Behind the
window-curtain, you know! He really does. Could you have suspected even
our Musgrave of being so banal, Billy? He’s not even Edwardian--he’s
late-Victorian....”
Arnold said over his shoulder, “Can’t somebody stop him? Do try, Jane.
He’s spoiling our day with his egotistic babbling. Bridget and I are
talking exclusively about others, their domestic tragedies, their
literary productions, and their unsuitable careers; never a word about
ourselves. I’m sure Eileen and Eddy are doing the same; and sandwiched
between us, Cecil flows on fluently about his private grievances and his
highly unsuitable plays. You’d think he might remember what day it is,
to say the least of it. I wonder how he was brought up, don’t you,
Bridget?”
“I don’t wonder; I know,” said Bridget. “His parents not only wrote for
the Yellow Book, but gave it him to read in the nursery, and it
corrupted him for life. He would, of course, faint if one suggested that
he carried the taint of anything so antiquated, but infant impressions
are hard to eradicate. I know of old that the only way to stop him is
to feed him, so let’s have lunch, however unsuitable the hour and the
place may be.”
Public-domain text, read in full here on John Shaqi.
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