England -- Social life and customs -- 20th century -- Fiction; English fiction -- 20th century; Journalists -- Fiction
“That,” said the vicar, “is part of one’s work, to consider low minds.
Besides--my dear Oliver, I don’t want to be censorious--but why doesn’t
Mrs. Le Moine live with her husband? And why isn’t Datcherd ever to be
seen with his wife? And why are those two perpetually together?”
Eddy grew hotter. His hand shook a little as he took out his pipe.
“The Le Moines live apart because they prefer it. Why not? Datcherd, I
presume, doesn’t go about with his wife because they are hopelessly
unsuited to each other in every way, and bore each other horribly. I’ve
seen Lady Dorothy Datcherd. The thought of her and Datcherd as
companions is absurd. She disapproves of all he is and does. She’s a
worldly, selfish woman. She goes her way and he his. Surely it’s best.
As for Datcherd and Mrs. Le Moine--they _aren’t_ perpetually together.
They come down here together because they’re both interested; but
they’re in quite different sets, really. His friends are mostly social
workers, and politicians, and writers of leading articles, and
contributors to the quarterlies and the political press--what are
called able men you know; his own family, of course, are all that sort.
Her friends are artists and actors and musicians, and poets and
novelists and journalists, and casual, irresponsible people who play
round and have a good time and do clever work--I mean, her set and his
haven’t very much to do with one another really.” Eddy spoke rather
eagerly, as if he was anxious to impress this on the vicar and himself.
The vicar heard him out patiently, then said, “I never said anything
about sets. It’s him and her I’m talking about. You won’t deny they’re
great friends. Well, no man and woman are ‘great friends’ in the eyes of
poor people; they’re something quite different. And that’s not
wholesome. It starts talk. And your being hand and glove with them does
no good to your influence in the parish. For one thing, Datcherd’s known
to be an atheist. These constant Sunday outings of yours--you’re always
missing church, you see, and that’s a poor example. I’ve been spoken to
about it more than once by the parents of your class-boys. They think it
strange that you should be close friends with people like that.”
Eddy started up. “People like that? People like Hugh Datcherd and Eileen
Le Moine? Good heavens! I’m not fit to black their boots, and nor are
the idiots who talk about them like that. Vulgar-mouthed lunatics!”
This was unlike Eddy; he never called people vulgar, nor despised them;
that was partly why he made a good church worker. The vicar looked at
him over his pipe, a little irritated in his turn. He had not reckoned
on the boy being so hot about these friends of his.
“It’s a clear choice,” said the vicar, rather sharply. “Either you give
up seeing so much of these people, and certainly give up bringing them
into the parish; or--I’m very sorry, because I don’t want to lose
you--you must give up St. Gregory’s.”
Public-domain text, read in full here on John Shaqi.
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