The Making of a Modern Army and its Operations in the Field: A study based on the experience of three years on the French front (1914-1917)Radiguet, René-Louis-Jules
History
The Making of a Modern Army and its Operations in the Field: A study based on the experience of three years on the French front (1914-1917)
Radiguet, René-Louis-Jules
Armies; Military art and science; World War, 1914-1918
We shall see later how motor-cars are used for the supply of food or
ammunition. Many more cars are needed for the hospitals, ambulances,
and the carrying of the wounded.
The consumption of gasoline, notwithstanding the suppression of the
abuses which were for a long time prevalent on the Anglo-French Front,
remains considerable. France is supplied with it exclusively by the
United States and Mexico.
=5. General remarks on transportation.= The question of supplies of all
sorts will be one of the difficulties connected with the organization
of the American Armies on French soil. The United States will not
merely have to convey troops from one continent to the other, but also
to ship all that is necessary for the subsistence of her armies, their
upkeep, their armament, their artillery, etc., just as if they were
expected to land in a desert country where the barest necessaries of
life would be lacking.
The American Government and the General-in-Chief have from the start
been aware of the difficulties awaiting them, and, immediately after
the landing of the first troops, very important works were begun for
the improvement of the French ports of landing and for the duplication
of French railroads, wherever needed. This work is being actively
carried out under the direction of American engineers.
=6. Camouflage.= Everything pertaining to the equipment and employment
of troops must be hidden, so far as possible, from the sight of enemy
aviators, and the various devices resorted to for this purpose are
termed “Camouflage” (disguise).
Artillery, transportation parks, ammunition dumps, camps, roads of
communication, etc., are masked in many ways, on the general principle
of causing the object to be concealed to blend with the tint of the
soil or the foliage, or to melt into the landscape and avoid the eye.
Coverings of brushwood or straw represent the simpler, and framework
supporting artificial greenery or painted canvas, the more ambitious
forms of camouflage. Objects irregularly blotched with paint of
different colours are practically invisible at a certain distance--a
device borrowed from the “protective colouring” of the animal kingdom.
Batteries of dummy guns are often used in this, as in former wars, to
deceive the enemy.
It is highly important to have good points of observation within the
first lines, whence the enemy’s defences may be searched with powerful
field-glasses. To meet this need, artificial trees, rocks, etc., have
been provided when nature failed to supply them.
The camouflage of the French army has been entrusted to a special corps
of professional artists, which has proved a most useful unit, since it
is necessary that the work done should deceive not only the human eye,
but the sensitive plate of the camera.
CHAPTER IV
COMPOSITION AND USE OF THE ARTILLERY
1. Retrospective view. General considerations.
Public-domain text, read in full here on John Shaqi.
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