England -- Social life and customs -- 19th century -- Fiction
He waited for the contradiction that always came from Katharine at
this point of his self-abasement; but when she said nothing, and only
went on staring in the opposite direction, he felt that there was
something unusually wrong, and came hastily round to the front of her
chair and repeated his last remark with emphasis.
"You may say what you like, but I am. All the same, I would sooner
chuck the whole show than make you unhappy. I'll be hanged if I don't
go away to-morrow without a single--" He stopped abruptly; for she was
looking up at him piteously, and his high-souled resolutions suddenly
melted into oblivion. "Kitty, old chum, don't cry! I'm not worth
it,--on my soul I'm not; blowed if I've ever seen you cry before! Good
old Kit, I say, don't. Oh, the devil! Do you really mind so much?"
"Please, Ted, go away; you don't understand; go away; it isn't that at
all! Don't, Ted, don't! Oh, dear, whatever made me cry?" gasped
Katharine. But Ted would take no denial: a woman's tears would have
disarmed him, even if he had not been in love with her; and Katharine,
the tomboyish companion of years, appeared to him in a strangely
lovable light as she sobbed into her hands and made the feeblest
efforts to keep him away. His arms were round her in a moment, and
her head was pulled down on his shoulder, and he poured a medley of
broken sentences into her ear.
"How was I to know you cared, old chum? Of course I have always cared;
but I never thought about it until that played-out London chap turned
up and put it into my head. Dear old Kitty! Why, do you know, I was
half afraid you were going to like him, one time; wasn't I a rotten
ass? But, you see, you're so bally clever, and all that; and I
supposed he was, too, and so I thought,--don't you see? And all the
while, it was me! Buck up, Kit! I won't split that you cried, on my
honour I won't. Oh, I say, I'm the most confoundedly lucky chap-- But,
oh, that infernal office in the city!"
Katharine disengaged herself at last. His kisses seemed to burn into
her cheeks. She pushed back the basket chair into the corner of the
summer-house, and put her fingers over her eyes to shut out the flower
beds and the sunlight.
"Stop, Ted! I don't know what you mean. You must not think those
things of me; they are simply not true. I can't let you kiss me like
that. Has the world gone suddenly mad, this afternoon? I don't
understand what has happened to every one. I don't understand
anything. Will you go, please, Ted? If you won't, I--I must."
She forced out the disjointed sentences in hard, passionless tones.
Ted stood absolutely still where she left him, and watched her stumble
through the doorway and disappear among the laurel bushes and the old
box-trees. Then he rumpled up his thick hair with both his hands, and
laughed aloud.
"I ought never to have been born," he said, and his voice broke.
CHAPTER VI
Public-domain text, read in full here on John Shaqi.
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