The Man of Last Resort; Or, The Clients of Randolph MasonPost, Melville Davisson
General
The Man of Last Resort; Or, The Clients of Randolph Mason
Post, Melville Davisson
American fiction -- 19th century; Detective and mystery stories, American; Legal stories, American
The reader must bear in mind that the law herein dealt with is the law
as it is administered in the legal forms of his country, in no degree
changed and in no degree colored by the imagination of the author. Every
legal statement represents an established principle, thoroughly analyzed
by the courts of last resort. There can be no question as to the
probable truth of these legal conclusions. They are as certainly
established as it is possible for the decisions of courts to establish
any principle of law.
The reader is reminded that the schemes of skilled plotters, resorted
to for the purpose of defeating the spirit of the law, are, for the most
part, too elaborate and too intricate to be made the subject of popular
discussion. An attempt to explain to the but half-interested layman
plots of this character would be as vain as an attempt to demonstrate
an abstract problem in analytical mechanics. The knaves who have been
pleased to devote their energies and their capacities to problems of
this nature are experts learned and capable, and against these the
average man of affairs can defend himself but poorly. He may be warned,
however, and the author will have accomplished his purpose if he
succeeds in identifying the black flag of such pirate crafts.
In the present volume he has deemed it wise to continue to utilize as
his central figure the lawyer, Randolph Mason,--a rather mysterious
legal misanthrope, having no sense of moral obligation, but learned in
the law, who by virtue of the strange tilt of his mind is pleased to
strive with the difficulties of his clients as though they were mere
problems involving no matter of right or equity or common justice.
This emotionless counsellor has already been introduced to the public.
He has been described as a man in the middle forties. “Tall and
reasonably broad across the shoulders; muscular, without being either
stout or lean.” His hair was thin and of a brown color, with erratic
streaks of gray. His forehead was broad and high and of a faint reddish
color.
His eyes were restless, inky black, and not over large. The nose was big
and muscular and bowed. The eyebrows were black and heavy, almost bushy.
There were heavy furrows, running from the nose downward and outward to
the comers of the mouth. The mouth was straight, and the jaw was heavy
and square.
“Looking at the face of Randolph Mason from above, the expression in
repose was crafty and cynical; viewed from below upward, it was savage
and vindictive, almost brutal; while from the front, if looked squarely
in the face, the stranger was fascinated by the animation of the man.
and at once concluded that his expression was at the same time sneering
and fearless. He was evidently of Southern extraction and a man of
unusual power.”
Public-domain text, read in full here on John Shaqi.
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