The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigmentsBersch, Josef
Science
The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigments
Bersch, Josef
Dyes and dyeing; Pigments
=True Charcoal Black.=—In charcoal-burning wood is burned in great
piles with restricted air supply; the greater part of the carbon
contained in the wood remains behind as charcoal, which is used for
fuel. The charcoal made from hard wood, such as maple or beech, is not
well suited for pigments; the lighter and more porous the wood, the
more pure is generally the shade of the charcoal, and the more easily
it can be ground. When, therefore, charcoal is to be used as a pigment
it should be made from wood of a porous nature; the wood of the lime,
black-alder and spindle tree is particularly adapted for this purpose.
Spent tan-bark is a very cheap, and at the same time suitable material
for this purpose. It generally consists of oak bark, and has lost the
greater part of the salts it contained by long contact with water;
also the woody substance of the bark has suffered a change which is
favourable to carbonisation. This is especially the case when the bark
has been stored for some time; a considerable quantity of the humins
previously mentioned has formed in it, and these are easily decomposed
at a low temperature.
The charcoal, however obtained, is ground to a soft powder. When it has
reached the proper degree of fineness it should be repeatedly washed
with water to remove the salts. When instead of pure water a very
dilute acid, such as hydrochloric, is used, practically all the salts
dissolve, and the residue consists of nearly pure carbon.
=Vine Black.=—In wine-producing countries a good and cheap black can be
made from the residues of the wine manufacture; this is the so-called
vine black. Either the pressed grapes or the lees separated in the
fermenting vessels may be used.
_Vine Black from Wine Lees._—The lees always contain a considerable
quantity of liquid, they must be thoroughly dried before they are
carbonised; this is most simply done by spreading out the pasty mass in
a thin layer, and exposing it to a temperature of about 100° to 120° C.
In drying the volume considerably diminishes. The lees are changed into
a brown mass which is easily powdered; it is packed into barrels while
still warm, and can be kept for a considerable time without alteration.
Fresh lees can be kept but a short time; they are quickly destroyed by
a rapid fermentation.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account