The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigmentsBersch, Josef
Science
The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigments
Bersch, Josef
Dyes and dyeing; Pigments
The particular white pigment to be employed in these mixtures depends
on the nature of the colour and on its specific gravity. It should
always be remembered that white lead will not increase the permanence
of a colour, since it will be discoloured in a short time by the action
of the atmosphere. In the manufacture of fine colours for artists lead
pigments should be absolutely excluded.
To produce paler shades of colours which contain lead and therefore
have a high specific gravity, _e.g._, chrome yellow, white lead may be
used; for other colours, barytes or zinc white should be employed. In
the case of lakes enamel white is too heavy; zinc white or magnesia is
suitable.
CHAPTER XI.
YELLOW MINERAL PIGMENTS.
As was the case with white pigments, so with yellow: of the large
number known very few are in extensive use. In former times the number
of yellow pigments employed in painting was far greater than at
present; several, formerly in general use, have dropped out, partially
or entirely, owing either to their poisonous character or to their
replacement by others, deeper and more handsome. Especially since the
discovery of cadmium yellow and the development of the manufacture of
chrome yellows, many colours once in general use have properly fallen
into disuse.
Again, unfortunately, the most important of the yellow mineral pigments
contain lead, and have little stability; but a series of yellow colours
free from lead is known, and though some of them are inferior in shade
to the lead pigments they surpass the latter in permanence.
In addition to lead compounds, pigments derived from barium, zinc,
antimony and cadmium are in general use. The yellow lead pigments were
formerly preferred, and at present, so far as concerns beauty, they
must be regarded as superior to other mineral yellows. The endeavour
to provide the artist with permanent colours has resulted in the use
of others, perhaps less brilliant, but very lasting. Under the name of
chrome yellow a single pigment consisting of lead chromate was formerly
understood; to-day, under this title is comprised a series of pigments
containing zinc or barium in place of lead, but all commercially known
as chrome yellow.
CHAPTER XII.
CHROME YELLOWS.
The chrome yellows are the lead, zinc or barium salts of chromic acid.
In describing the different methods used in making these colours, lead
chrome yellow will be taken first, since this is the one most largely
used.
LEAD CHROME YELLOW.
Both neutral and basic lead salts of chromic acid are known. Neutral
lead chromate is found in nature as the somewhat rare mineral
crocoisite, which is found in very small but perfectly shaped crystals
in many lead mines.
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