Grannie began to plead. What was a fiddle if you played the right tunes
on it? Didn't they read in the ould Book of King David himself playing
on harps and timbrels and such things? And what was harps but fiddles in
a way of spak-ing? Then warn't they all looking to be playing harps in
heaven? 'Deed, yes, though the Lord would have to be teaching her how to
play hers!
Cæsar was shaken. “Well, of course, certainly,” he said, “if there's a
power in fiddling to bring souls out of bondage, and if there's going to
be fiddling and the like in Abraham's bosom--why, then, of course--well,
why not?--let's have the lad's fiddle up at 'The Christians.'”
Nothing could have suited Pete so well. From that time forward he went
out no more at nights to the cowhouse, but stayed indoors to practise
hymns with Katherine. Oh, the terrible rapture of those nightly
“practices!” They brought people to the inn to hear them, and so Cæsar
found them good for profit both ways.
There was something in Cæsar's definition, nevertheless. It was found
that among the saints there were certain weaker brethren who did not
want a hymn to their ale. One of these was Johnny Niplightly, the rural
constable, who was the complement of Katherine in the choir, being
leader of the singing among the men. He was a tall man with a long nose,
which seemed to have a perpetual cold. Making his rounds one night, he
turned in at “The Manx Fairy,” when Cæsar and Grannie were both
from home, and Nancy Joe was in charge, and Pete and Katherine were
practising a revival chorus.
“Where's Cæsar, dough?” he snuffled.
“At Peel, buying the stock,” snapped Nancy.
“Dank de Lord! I mean--where's Grannie?”
“Nursing Mistress Quiggin.”
Niplightly eased the strap of his beaver, liberated his lips, took a
deep draught of ale, and then turned to Pete, with apologetic smiles,
and suggested a change in the music.
At that Katherine leapt up as light as laughter. “A dance,” she cried,
“a dance!”
“Good sakes alive?” said Nancy Joe. “Listen to the girl? Is it the moon,
Kitty, or what is it that's doing on you?”
“Shut your eyes, Nancy,” said Katherine, “just for once, now won't you?”
“You can do what you like with me, with your coaxing and woaxing,” said
Nancy. “Enjoy yourself to the full, girl, but don't make a noise above
the singing of the kettle.”
Pete tuned his strings, and Katherine pinned up the tail of her skirt,
and threw herself into position.
At the sound of the livelier preludings there came thronging out of the
road into the parlour certain fellows of the baser sort, and behind them
came one who was not of that denomination--a fair young man with a fine
face under an Alpine hat. Heeding nothing of this audience, the girl
gave a little rakish toss of her head and called on Pete to strike up.
Public-domain text, read in full here on John Shaqi.
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