Then Pete plunged into one of the profaner tunes which he had practised
in the days of the cowhouse, and off went Katherine with a whoop. The
boys stood back for her, bending down on their haunches as at a fight of
gamecocks, and encouraging her with shouts of applause.
“Beautiful! Look at that now! Fine, though, fine! Clane done, aw, clane!
Done to a dot! There's leaping for you, boys! Guy heng, did you ever see
the like? Hommer the floor, girl--higher a piece! higher, then! Whoop,
did ye ever see such a nate pair of ankles?”
“Hould your dirty tongue, you gobmouthed omathaun!” cried Nancy Joe. She
had tried to keep her eyes away, but could not. “My goodness grayshers!”
she cried. “Did you ever see the like, though? Screwing like the
windmill on the schoolhouse! Well, well, Kitty, woman! Aw, Kirry, Kirry!
Wherever did she get it, then? Goodsakes, the girl's twisting herself
into knots!”
Pete was pulling away at the fiddle with both hands, like a bottom
sawyer, his eyes dancing, his lips quivering, the whole soul of the lad
lifted out of himself in an instant.
“Hould on still, Kate, hould on, girl!” he shouted. “Ma-chree! Machree!
The darling's dancing like a drumstick!”
“Faster!” cried Kate. “Faster!”
The red ribbon had fallen from her head, and the wavy black hair was
tumbling about her face. She was holding up her skirt with one hand,
and the other arm was akimbo at her waist. Guggling, chuckling, crowing,
panting, boiling, and bubbling with the animal life which all her days
had been suppressed, and famished and starved into moans and groans, she
was carried away by her own fire, gave herself up to it, and danced
on the flags of the kitchen which had served Cæsar for his practical
typology, like a creature intoxicated with new breath.
Meantime Cæsar himself, coming home in his chapel hat (his tall black
beaver) from Peel, where he had been buying the year's stock of herrings
at the boat's side, had overtaken, on the road, the venerable parson of
his parish, Parson Quiggin of Lezayre. Drawing up the gig with a “Woa!”
he had invited the old clergyman to a lift by his side on the gig's
seat, which was cushioned with a sack of hay. The parson had accepted
the invitation, and with a preliminary “Aisy! Your legs a taste higher,
sir, just to keep the pickle off your trousers,” a “Gee up!” and a touch
of the whip, they were away together, with the light of the gig-lamp on
the hind-quarters of the mare, as they bobbed and screwed like a
mill-race under the splash-hoard.
It was Cæsar's chance, and he took it. Having pinned one of the heads
of the Church, he gave him his views on the Romans, and on the general
encroachment of Popery. The parson listened complacently. He was a
tolerant old soul, with a round face, expressive of perpetual happiness,
though he was always blinking his little eyes and declaring, with the
Preacher, that all earthly things were vain. Hence he was nicknamed Old
Vanity of Vanities.
Public-domain text, read in full here on John Shaqi.
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