The Mapleson Memoirs, 1848-1888, vol I — John Shaqi
The Mapleson Memoirs, 1848-1888, vol IMapleson, James Henry
History
The Mapleson Memoirs, 1848-1888, vol I
Mapleson, James Henry
Opera -- England -- London; Opera -- United States
After the next payment had become due I went three or four times to the
Prefect, but could never find him. One day, however, about twelve
o'clock, I was told he was within, but that he had a headache, and could
not see anyone. I nevertheless insisted on the necessity of his
receiving me, saying that otherwise the night's performance at the San
Carlo might be jeopardized. I was invited upstairs, where his Excellency
was eating macaroni in the grand ball-room, lying on a sofa, which had
served as a bed, he having returned home too late to mount the stairs,
whilst about eighty Bersaglieri were rehearsing a selection from
_Rigoletto_ for a ball he was going to give that evening. The sound was
deafening.
The Prefect was very polite, and gave me another of those large cheques,
which with a little manipulation I induced the British Consul to change,
and get me a bill for it. The Prefect invited me very courteously to the
ball he was giving, at which over 2,000 persons were present. It was a
most magnificent affair, the four angles of the large room being
occupied by wild boars roasted whole (with sundry fruits, wines, etc.),
to which the guests after every dance or two helped themselves, and then
continued their dancing.
At that time I was very anxious to secure the lease of the San Carlo
Opera-house, and by the aid of my friend the Prefect so far advanced
the matter, that it wanted but the sanction of the Minister at Turin to
complete it. The pay-sheet of the orchestra contained over 150 names,
but as the salaries varied from six to eight shillings a week I made no
objection to this. The heaviest salary was that of the conductor
Mercadante (composer of _Il Giuramento_, &c.), who received £5 a week.
On leaving Naples I went to Turin to present myself to the Marquis
Braham, but before I could get my card forwarded, even to the first
room, I was obliged to make a monetary advance. On reaching the second
room I was referred to another room on the entresol. It was impossible
to gain entrance, or even get my card sent further, without the help of
a napoleon. On going into the fourth room another tax was laid upon me,
and it being evening I thought it better to go home and reserve my money
offerings towards meeting the Marquis Braham until the next day. I
returned, armed with sundry five-franc pieces and napoleons; but it was
not until the fourth day, when I gave an extra douceur, that I could
approach him at all. It then appeared that someone had anticipated me,
and I was recommended to wait another year. I left for England, and the
matter dropped.
CHAPTER VI.
PRODUCTION OF GOUNOD'S "FAUST"--APATHY OF THE BRITISH PUBLIC--A
MANAGERIAL DEVICE--DAMASK CRUMB CLOTH AND CHINTZ HANGINGS--HEROIC
ATTITUDE OF A DYING TENOR--PRAYERS TO A PORTMANTEAU.
Public-domain text, read in full here on John Shaqi.
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