The Mapleson Memoirs, 1848-1888, vol I — John Shaqi
The Mapleson Memoirs, 1848-1888, vol IMapleson, James Henry
History
The Mapleson Memoirs, 1848-1888, vol I
Mapleson, James Henry
Opera -- England -- London; Opera -- United States
Far from carrying out his agreement as to superintending the production
of the work, Gounod did not arrive in London until nearly seven o'clock
on the night of production; and all I heard from him was that he wanted
a good pit box in the centre of the house. With this, for reasons which
I will at once explain, I had no difficulty whatever in providing him.
One afternoon, a few days before the day fixed for the production of the
opera, I looked in upon Mr. Nugent at the box-office and asked how the
sale of places was going on.
"Very badly indeed," he replied.
Only thirty pounds' worth of seats had been taken.
This presaged a dismal failure, and I had set my mind upon a brilliant
success. I told Mr. Nugent in the first place that I had decided to
announce Faust for four nights in succession. He thought I must be mad,
and assured me that one night's performance would be more than enough,
and that to persist in offering to the public a work in which it took no
interest was surely a deplorable mistake.
I told him that not only should the opera be played for four nights in
succession, but that for the first three out of these four not one place
was to be sold beyond those already disposed of. That there might be no
mistake about the matter, I had all the remaining tickets for the three
nights in question collected and put away in several carpet bags, which
I took home with me that I might distribute them far and wide throughout
the Metropolis and the Metropolitan suburbs. At last, after a prodigious
outlay in envelopes, and above all postage stamps, nearly the whole mass
of tickets for the three nights had been carefully given away.
I at the same time advertised in the _Times_ that in consequence of a
death in the family, two stalls secured for the first representation of
_Faust_--the opera which was exciting so much interest that all places
for the first three representations had been bought up--could be had at
twenty-five shillings each, being but a small advance on the box-office
prices. The stalls thus liberally offered were on sale at the shop of
Mr. Phillips, the jeweller, in Cockspur Street, and I told Mr. Phillips
that if he succeeded in selling them I would present him with three for
the use of his own family. Mr. Phillips sold them three times over, and
a like success was achieved by Mr. Baxter, the stationer, also in
Cockspur Street.
Meanwhile demands had been made at the box-office for places, and when
the would-be purchasers were told that "everything had gone," they went
away and repeated it to their friends, who, in their turn, came to see
whether it was quite impossible to obtain seats for the first
performance of an opera which was now beginning to be seriously talked
about. As the day of production approached the inquiries became more and
more numerous.
"If not for the first night, there must surely be places somewhere for
the second," was the cry.
Public-domain text, read in full here on John Shaqi.
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