The Marquis D'Argenson: A Study in Criticism: Being the Stanhope Essay: Oxford, 1893Ogle, Arthur
History
The Marquis D'Argenson: A Study in Criticism: Being the Stanhope Essay: Oxford, 1893
Ogle, Arthur
Argenson, René-Louis de Voyer, marquis d', 1694-1757
There are occasions when the craft of the critic becomes especially
delightful, and at the same time especially dangerous. Delightful, when
the material in which he works is new and unessayed; dangerous, from
the besetting temptation to be content with accredited methods, and to
neglect that watchful regard to the texture of the clay, which alone
can suggest the conditions of successful treatment. Of such delicate
fabric is a man made, here and there. It is as if for a moment the
common matter had been thrown aside wearily, as if Nature, when she
wrought him, had been toying with an inspiration, sometimes happy,
often unhappy. In dealing with such a man, the critic will proceed very
patiently and tenderly. He will beware of presenting him, morally or
otherwise, in the light of the prevailing prejudice; nor will he erect
his own provincialities of opinion as a final measure of wisdom or
worth. Rather will he let the man go his own way and tell his own tale,
content if he may but follow and hear and understand, without sitting
in the gate to judge him.
That criticism, in the case of the Marquis d'Argenson,[1] has not
always been chastened to this wholesome deference, there will be
occasion to notice at a later date. We may remark at once how necessary
it was. D'Argenson was indeed no ordinary man. The character with which
destiny had endowed him was but poorly adapted to the social medium in
which it was to move; and to the great world where moral commonplace is
law, he was a stranger. He dwelt, as such men do, in a little world of
his own creating, peopled with his own pleasures and his own pains. His
only critic was his conscience: himself was his sternest judge: and he
knew no tribunal but the midnight silence, when the glow was dying on
the hearth. He was an original, in short, and as an original he must be
treated.
When we are puzzled by the character of any among the illustrious dead,
and when other resources fail us, a saunter in the portrait gallery of
the old house is often pregnant with suggestion. Of such a privilege it
will be well to avail ourselves in the present instance. The time will
be very well spent.
Public-domain text, read in full here on John Shaqi.
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