Keen though it was, his realization of this crisis in his life had come
with characteristic slowness. When Lillian Astrupp had given her dictum,
when the music of the orchestra had ceased and the curtain risen on the
second act of the play, nothing but a sense of stupefaction had filled
his mind. In that moment the great song was silenced, not by any
portentous episode, not by any incident that could have lent dignity to
its end, but--with the full measure of life's irony--by a trivial social
commonplace. In the first sensation of blank loss his faculties had been
numbed; in the quarter of an hour that followed the rise of the curtain
he had sat staring at the stage, seeing nothing, hearing nothing, filled
with the enormity of the void that suddenly surrounded him. Then,
from habit, from constitutional tendency, he had begun slowly and
perseveringly to draw first one thread and then another from the tangle
of his thoughts--to forge with doubt and difficulty the chain that was
to draw him towards the future.
It was upon this same incomplete and yet tenacious chain that his mind
worked as he traversed the familiar streets and at last gained the house
he had so easily learned to call home.
As he inserted the latch-key and felt it move smoothly in the lock, a
momentary revolt against his own judgment, his own censorship swung him
sharply towards reaction. But it is only the blind who can walk without
a tremor on the edge of an abyss, and there was no longer a bandage
across his eyes. The reaction flared up like a strip of lighted paper;
then, like a strip of lighted paper, it dropped back to ashes. He pushed
the door open and slowly crossed the hall.
The mounting of a staircase is often the index to a man's state of mind.
As Loder ascended the stairs of Chilcote's house his shoulders lacked
their stiffness, his head was no longer erect; he moved as though his
feet were weighted. He had ceased to be the man of achievement whose
smallest opinion compels consideration; in the privacy of solitude he
was the mere human flotsam to which he had once compared himself--the
flotsam that, dreaming it has found a harbor, wakes to find itself the
prey of the incoming tide.
He paused at the head of the stairs to rally his resolutions; then,
still walking heavily, he passed down the corridor to Eve's room. It was
suggestive of his character that, having made his decision, he did not
dally over its performance. Without waiting to knock, he turned the
handle and walked into the room.
Public-domain text, read in full here on John Shaqi.
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