The Masterfolk : $b wherein is attempted the unravelling of the strange affair of my Lord Wyntwarde of Cavil and Miss Betty ModeyneMacfall, Haldane
General
The Masterfolk : $b wherein is attempted the unravelling of the strange affair of my Lord Wyntwarde of Cavil and Miss Betty Modeyne
Macfall, Haldane
Bohemianism -- Fiction; London (England) -- Fiction; Paris (France) -- Fiction
The sound of the rushing feet of the theatre-goers passing eagerly
into the pit in holiday humour; the rustle of silk and satin and the
leisurely entrance of handsomely dressed women into the more gorgeous
comfort of the stalls as they dawdled to their elaborate seats; the
delicious tunings of violins as the bandsmen took their places in
the orchestra; the burst of music; the echo of the stage carpenter’s
hammer from the screened world hidden by the great curtain beyond
the footlights; the lowering of lights and resulting sudden darkness
in the theatre; the sharp clink of a bell for the ringing up of the
curtain; the hushing into silence of the whispering audience; the slow
uprolling of the great curtain as it was gathered into the flies; and
the footlights disclosed another world, flinging its large picture upon
the vision--the fantastic reality of the drama--a world that comes to
life for a little while and holds the imagination as it were held by a
dream.
So the child sat, between Noll and Netherby, holding a hand of each. It
struck her keen wits as strange that in the large drawing-rooms of her
fashionable relations she had felt no warmth of affection towards the
glittering women who turned their cold critical eyes upon this child
of their ne’er-do-weel soldier kinsman--yet here were two lads, whom
she had not known a couple of days ago, winning her confidence by their
large chivalry, their whole-souled friendship now grown as old as her
life--friendship such as makes of life a splendid adventure.
When the curtain came down on the last act, the child sighed. She
realized with a pang that the play was over.
CHAPTER VI
_Wherein it is hinted that to be Famous is not necessarily to be
Great_
In a large and richly furnished studio that was the splendid workshop
of a fashionable portrait-painter there stood before an easel a
handsome fair-bearded man--handsome, though the head was small--a
fellow who held himself with self-reliance, straight and satisfied. And
with the calculated stroke of one who has mastered the technique of his
craft, he set down the loaded brush on the embrowned canvas, yielding
a touch of colour that told like living flesh on the portrait of the
pretty woman whose likeness he was building up into life.
The stroke of colour pleased him, and he stood back and peered at it.
He turned his head and glanced keenly at the pretty woman where she sat
in the handsome chair that stood on the painter’s throne before him,
her beauty enhanced and brought out by the carefully arranged crimson
draping that was set in the grand manner as a heavy curtain looped
behind her with golden cords and tassel--indeed, she made a telling
picture as she sat there framed in by the great screen that was placed
at her left hand to keep away the draught from the large double doors
near by.
Public-domain text, read in full here on John Shaqi.
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