The Masterfolk : $b wherein is attempted the unravelling of the strange affair of my Lord Wyntwarde of Cavil and Miss Betty ModeyneMacfall, Haldane
General
The Masterfolk : $b wherein is attempted the unravelling of the strange affair of my Lord Wyntwarde of Cavil and Miss Betty Modeyne
Macfall, Haldane
Bohemianism -- Fiction; London (England) -- Fiction; Paris (France) -- Fiction
The beauty of Lady Persimmon, as the world knows, had caught roving
royal eyes; and she was at the height of her vogue, gathering from this
strange source of public esteem such homage as is given to the toy of a
court. She was, in very truth, exquisite as a butterfly.
“Ah,” said she with languid, lazy accent that caressed the words she
uttered, “I should love to live in Bohemia.” And she added with a pout:
“Society is such a weary round--and so spiteful!”
Paul Pangbutt shrugged his shoulders:
“A part of the price you must pay for being a beautiful woman, my dear
lady,” he said--and he went back to his painting.
“What? Spite!” she asked, the handsome brows meeting in questioning
furrows. Her lips were very red--_half open with delicious whisperings
of scarlet sin_, a minor poet had it--so she would keep them half open,
though she most pronouncedly estranged herself from the minor poet for
close upon a fortnight in display of her deep resentment. Thus, too,
she was now being limned.
Pangbutt painted the corner of her pathetic mouth:
“Spite is the unwitting tribute of a petty mind,” he pronounced.
“I don’t see that that is any excuse for it,” she said smartly.
Pangbutt stood back; and he uttered a light laugh:
“The world is one vast engine of criticism,” he said. “A man is not
a critic because he writes for a newspaper. That act is generally
the mark of his incapacity. We are all discriminators. Bless my
soul--_conversation_ is criticism more than half the time! And why not?”
“That’s rather alarming, isn’t it?” she cooed. “Fancy if we criticised
our friends!”
“Exactly what you do!” he pshawed. “You give your friendship: it is
criticism in action. On others you turn a cold shoulder. You have said
no word--but you have passed criticism. You have--well!--you have
turned a very pretty but cruel back--uttered a more brutal verdict than
tongue ever spoke.”
She laughed lightly:
“You’re a charming colourist, Paul--but all your craft cannot whitewash
spite,” she said.
“No, no,” said he. “I only say that criticism has its shabby side.
Spite is criticism gone sour.... But, tsha! I don’t believe there is
all this venom in the world.” He laid down his palette: “It’s a very
comfortable old world.... I’m afraid the light has gone.”
He pushed the easel aside, and came to where she sat. He set a foot on
the throne, and leaned his elbow upon his knee, gazing into her eyes:
“The light has gone, and your great beauty calls for all the light--it
dares the sun’s severest cross-examination.”
He held out his hand and she placed her slender fingers in his; she
felt his admiring regard upon her. He pressed her fingers:
Public-domain text, read in full here on John Shaqi.
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