The Masterfolk : $b wherein is attempted the unravelling of the strange affair of my Lord Wyntwarde of Cavil and Miss Betty Modeyne — John Shaqi
The Masterfolk : $b wherein is attempted the unravelling of the strange affair of my Lord Wyntwarde of Cavil and Miss Betty ModeyneMacfall, Haldane
General
The Masterfolk : $b wherein is attempted the unravelling of the strange affair of my Lord Wyntwarde of Cavil and Miss Betty Modeyne
Macfall, Haldane
Bohemianism -- Fiction; London (England) -- Fiction; Paris (France) -- Fiction
“Makeshifts!” Anthony laughed sadly, and, rousing, added--“I say, Paul,
have you finished with the crumbs on that tray?”
Pangbutt uttered an embarrassed laugh, and went and rang the bell.
“Anthony was always impatient for the dinner-hour,” he said--and
turning to Dukes as he appeared at the door he added--“Take away the
tray, Dukes----”
Anthony put out his hand:
“I say--couldn’t he--leave the tray? I see some crumbs.... Bring
another tray, Dukes.”
Pangbutt signed to the old butler to wait:
“A glass of wine, Anthony?” he asked.
“Tsah! you don’t understand, Paul. I’m not playing with my vitals--I’m
starving, man,” he said hoarsely.
“A chicken?”
“The man’s a god!”
“D’you mind it cold?”
“Heavens, Paul! I shall die in the midst of all these elaborate
courtesies--this rigid etiquette!”
He sank down wearily upon a corner of the painting throne, and fidgeted
with the tea-things on the tray.
Pangbutt gave an embarrassed laugh, and turned to the butler:
“Dukes, bring up a tray--cold chicken--wine--anything you can get.
Quick as you can.”
“Yessir!” said Dukes, and formally disappeared.
The beauty had been markedly uneasy; she now rose to take her leave.
“I must be running away, Mr. Pangbutt,” she said; and bowing over her
shoulder to Anthony, who rose and returned her bow with stiff precision
as she stepped lightly down from the throne: “So sorry!” she said.
As Pangbutt moved with her through the door she asked him in
confidential undertone:
“Who’s the savage? Where does he come from?”
“Bohemia,” he said, with a dry mocking smile; and he lingered about
her on the landing, to assist her with her cloak. He escorted her
downstairs to her carriage....
When they were gone from the studio, Anthony Baddlesmere rose from his
seat, carrying the last piece of a tea-cake in his hand, and, walking
over to the easel, as he ate the cake he regarded the picture with
critical eye:
“H’m! ’Tain’t bad!” he growled.
Pangbutt entered the room and shut the door.
He laughed:
“Her ladyship doesn’t seem to be so enamoured of Bohemia after all,” he
muttered.
“Eh?” asked Anthony.
“Oh--nothing--nothing,” said Pangbutt. “I am afraid we have spoilt a
pretty woman’s illusion.”
Anthony gazed at the canvas before him:
“To destroy a pretty woman’s illusions is cruel as plucking out a
child’s eyes,” he said, and added: “Who’s the doll?”
“Lady Persimmon; but----”
“What? Eleanor Persimmon, who married old Gilders Persimmon?... He dyed
his beard for the wedding--naughty old man--and he’s had to renew it
ever since----”
Pangbutt went to the fireplace, and he turned and said severely:
“Sir Gilders Persimmon is not in his youth, but----”
“No, no, Paul--I’m not blaming him for being a ruin--but he’s so
damned badly restored.” He turned to the picture. “So you are Eleanor
Persimmon, my lady!” He gazed at the portrait dreamily; and, suddenly
rousing, added: “Not much of a likeness, old boy, is it?”
Pangbutt smiled wryly.
Anthony peered round the easel at him:
Public-domain text, read in full here on John Shaqi.
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