The Masterfolk : $b wherein is attempted the unravelling of the strange affair of my Lord Wyntwarde of Cavil and Miss Betty Modeyne — John Shaqi
The Masterfolk : $b wherein is attempted the unravelling of the strange affair of my Lord Wyntwarde of Cavil and Miss Betty ModeyneMacfall, Haldane
General
The Masterfolk : $b wherein is attempted the unravelling of the strange affair of my Lord Wyntwarde of Cavil and Miss Betty Modeyne
Macfall, Haldane
Bohemianism -- Fiction; London (England) -- Fiction; Paris (France) -- Fiction
“I suppose she babbles all the time!” said he.
Pangbutt stiffened before the fire:
“Lady Persimmon is a most charming woman,” he said.
“Yes, yes; it’s in the family,” Anthony said airily--“she’s a sort of
cousin of mine. My brother had rather a calf-love for her--when he was
seventeen--and a calf.”
Pangbutt flushed:
“I do not care to discuss Lady Persimmon,” he said stiffly.
“No, no; I can quite understand that,” said Anthony breezily. “Nor do
I--nor do I. She was always rather uninteresting.”
He walked over to the throne: “Ho, ho!” thought he. “H’m! ha! Paul
still worships the titled classes. He was always weak in the first
commandment.”
He sat down wearily and searched aimlessly under the little covers of
the cake-dishes on the tray.
“Paul,” said he, “I exaggerated when I said there were crumbs....”
And he added with a laugh--“I don’t suppose cousin Eleanor recognised
cousin Anthony--I was only sixteen--besides, she would not be prepared
for his rising at her pretty feet like a down-at-heels pantomime clown
in this Palace of Art--this lofty pleasure-house.”
“You wrong Lady Persimmon by insinuation,” said Pangbutt sulkily--“she
is a woman of most generous sentiments.”
Anthony uttered a funny little laughing grunt:
“Cousin Eleanor was always the soul of sentiment and--delicate
self-indulgence. She used to adore the portrait of Shelley--weep over
Chatterton--cry over Kit Marlowe--and--married a baronet in an advanced
state of decay.”
He got up, strode to the easel again, and examined the picture.
Pangbutt watched him under his brows with sulky attention, lolling
against the mantelpiece.
“Come, Paul, old boy,” Anthony said at last--“I’ve been sketching the
doll’s soul for you; but you’ve got none of _that_ into her picture....
The colour and technique may be all there--and it is splendidly
handled--_but where’s the woman?_”
Anthony’s frank criticism, his just and keen appreciation of the
good and the weak side of a work of art, had always won Pangbutt’s
admiration; and the scowl left his eyes now as the praise bit into his
conceit. The detraction passed by him:
“D’you know, Anthony,” he said--“sometimes I suspect I am too
successful--too easily successful--and I have a horror of becoming
commonplace.”
His eyes followed the other as he slouched carelessly back to the
throne and flung himself upon it.
“Pooh! Nonsense, Paul.” He searched aimlessly amongst the empty plates
again: “That’s all cant. Look at _me_. I’m as empty as a bubble--but
it’s just as difficult to write sparkling prose on an empty stomach as
to be a poetic alderman.”
Pangbutt gazed down at his own shining boots complacently:
“I have not forgotten what personal discomfort was, in the old Paris
days. I detested it. I determined from the first to be rid of it....
Where are you living?”
The man that sat on the throne shrugged his shoulders, gazing at
vacancy sadly:
Public-domain text, read in full here on John Shaqi.
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