The mediaeval stage, volume 1 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 1 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
[184] Ordericus Vitalis, _Hist. Eccles._ xii. 19 ‘pro derisoriis
cantionibus ... quin etiam indecentes de me cantilenas facetus choraula
composuit, ad iniuriam mei palam cantavit, malevolosque mihi hostes ad
cachinnos ita saepe provocavit.’ Lucas de Barre seems to have been of
noble birth, but ‘palam cantavit cantilenas.’
[185] Cf. p. 30.
[186] _Speculum Perfectionis_ (ed. Sabatier), 197. When Francis
had finished his Canticle of the Sun, he thought for a moment of
summoning ‘frater Pacificus qui in saeculo vocabatur rex versuum et
fuit valde curialis doctor cantorum,’ and giving him a band of friars
who might sing it to the people at the end of their sermons: ‘finitis
autem laudibus volebat quod praedicator diceret populo: “Nos sumus
ioculatores Domini, et pro his volumus remunerari a vobis, videlicet
ut stetis in vera paenitentia.” Et ait: “Quid enim sunt servi Dei nisi
quidam ioculatores eius qui corda hominum erigere debent et movere
ad laetitiam spiritualem.”’ Cf. Sabatier, _Life of St. Francis_, 9,
51, 307. Perhaps Francis may have heard of Joachim of Flora, his
contemporary, who wrote in his _Commentary on the Apocalypse_, f. 183.
a. 2 ‘qui vere monachus est nihil reputat esse suum nisi citharam.’
[187] The MS. of the famous thirteenth-century canon _Sumer is
icumen in_ has religious words written beneath the profane ones;
cf. Wooldridge, _Oxford Hist. of Music_, i. 326. Several religious
adaptations of common motives of profane lyric are amongst the English
thirteenth-century poems preserved in Harl. MS. 2253 (_Specimens of
Lyrical Poetry_: Percy Soc., 1842, no. 19, and ed. Böddeker, Berlin,
1878).
[188] Jusserand, _E. W. L._ 195, 199, 215; Strutt, 194-5, 210, 227;
Hazlitt-Warton, ii. 119; Chappell, i. 15; Collier, i. 22; _Wardrobe
Accounts of Edward I_ (Soc. Antiq.), 163, 166, 168.
[189] Cf. Appendix C.
[190] Cf. Appendix D.
[191] This cannot be the famous Adan de le Hale (cf. ch. viii), known
as ‘le Bossu,’ if Guy, 178, is right in saying that his nephew, Jean
Mados, wrote a lament for his death in 1288. He quotes _Hist. Litt._
xx. 666, as to this.
[192] Gautier, ii. 103; Bédier, 405, quote many similar names;
e.g. Quatre Œufs, Malebouche, Ronge-foie, Tourne-en-fuie,
Courtebarbe, Porte-Hotte, Mal Quarrel, Songe-Feste a la grant viele,
Mal-appareillié, Pelé, Brise-Pot, Simple d’Amour, Chevrete, Passereau.
[193] William of Malmesbury, _Gesta Reg. Angl._ (R. S.), ii. 494.
[194] Ordericus Vitalis, v. 12, &c. On one occasion ‘ad ecclesiam, quia
nudus erat, non pervenit.’
[195] Bédier, 359.
[196] Gautier, chs. xx, xxi, gives an admirable account of the
_jougleur’s_ daily life, and its seamy side is brought out by Bédier,
399-418. A typical _jougleur_ figure is that of the poet Rutebeuf, a
man of genius, but often near death’s door from starvation. See the
editions of his works by Jubinal and Kressner, and the biography by
Clédat in the series of _Grands Écrivains français_.
Public-domain text, read in full here on John Shaqi.
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