The mediaeval stage, volume 1 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 1 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
[_General Bibliographical Note._ I mention here only a few works
of wide range, which may be taken as authorities throughout these
two volumes. Others, more limited in their scope, are named in the
preliminary notes to the sections of the book on whose subject-matter
they bear.--An admirable general history of the modern drama is W.
Creizenach’s still incomplete _Geschichte des neueren Dramas_ (Band i,
_Mittelalter und Frührenaissance_, 1893; Bände ii, iii, _Renaissance
und Reformation_, 1901-3). R. Prölss, _Geschichte des neueren Dramas_
(1881-3), is slighter. The earlier work of J. L. Klein, _Geschichte des
Dramas_ (13 vols. 1865-76), is diffuse, inconvenient, and now partly
obsolete. A valuable study is expected from J. M. Manly in vol. iii of
his _Specimens of the Pre-Shakespearean Drama_, of which two volumes,
containing selected texts, appeared in 1897. C. Hastings, _Le Théâtre
français et anglais_ (1900, Eng. trans. 1901), is a compilation of
little merit.--Prof. Creizenach may be supplemented for Germany by
R. Froning, _Das Drama des Mittelalters_ (1891). For France there
are the exhaustive and excellent volumes of L. Petit de Julleville’s
_Histoire du Théâtre en France au Moyen Âge_ (_Les Mystères_, 1880;
_Les Comédiens en France au Moyen Âge_, 1885; _La Comédie et les Mœurs
en France au Moyen Âge_, 1886; _Répertoire du Théâtre comique au Moyen
Âge_, 1886). G. Bapst, _Essai sur l’Histoire du Théâtre_ (1893),
adds some useful material on the history of the stage. For Italy A.
d’Ancona, _Origini del Teatro italiano_ (2nd ed., 1891), is also
excellent.--The best English book is A. W. Ward’s _History of English
Dramatic Literature to the death of Queen Anne_ (2nd ed., 1899). J.
P. Collier, _History of English Dramatic Poetry_ (new ed., 1879), is
full of matter, but, for various reasons, not wholly trustworthy. J. J.
Jusserand, _Le Théâtre en Angleterre_ (2nd ed., 1881), J. A. Symonds,
_Shakespeare’s Predecessors in the English Drama_ (1884), and G. M.
Gayley, _Representative English Comedies_ (1903), are of value. Texts
will be found in Manly’s and Gayley’s books, and in A. W. Pollard,
_English Miracle Plays, Moralities and Interludes_ (3rd ed., 1898);
W. C. Hazlitt, _Dodsley’s Old Plays_ (15 vols. 1874-6); A. Brandl,
_Quellen des weltlichen Dramas in England_ (1898). F. H. Stoddard,
_References for Students of Miracle Plays and Mysteries_ (1887),
and K. L. Bates and L. B. Godfrey, _English Drama; a Working Basis_
(1896), are rough attempts at bibliographies.--In addition the drama
of course finds treatment in the general histories of literature. The
best are: for Germany, R. Kögel, _Geschichte der deutschen Literatur
bis zum Ausgange des Mittelalters_ (1894-7, a fragment); K. Gödeke,
_Grundriss zur Geschichte der deutschen Dichtung aus den Quellen_ (2nd
ed., 1884-1900); W. Scherer, _Geschichte der deutschen Litteratur_ (8th
ed., 1899): for France, L. Petit de Julleville (editor), _Histoire
Public-domain text, read in full here on John Shaqi.
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