The mediaeval stage, volume 1 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 1 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
de la Langue et de la Littérature françaises_ (1896-1900); G. Paris,
_La Littérature française au Moyen Âge_ (2nd ed., 1890): for Italy,
A. Gaspary, _Geschichte der italienischen Litteratur_ (1884-9, Eng.
transl. 1901): for England, T. Warton, _History of English Poetry_ (ed.
W. C. Hazlitt, 1871); B. Ten Brink, _History of English Literature_
(Eng. trans. 1893-6); J. J. Jusserand, _Literary History of the English
People_ (vol. i. 1895); W. J. Courthope, _History of English Poetry_
(vols. i, ii. 1895-7); G. Saintsbury, _Short History of English
Literature_ (1898), and, especially for bibliography, G. Körting,
_Grundriss der Geschichte der englischen Litteratur_ (3rd ed., 1899).
The _Periods of European Literature_, edited by Prof. Saintsbury,
especially G. Gregory Smith, _The Transition Period_ (1900), and
the two great _Grundrisse_, H. Paul, _Grundriss der germanischen
Philologie_ (2nd ed., 1896-1903), and G. Gröber, _Grundriss der
romanischen Philologie_ (1888-1903), should also be consulted.--The
beginnings of the mediaeval drama are closely bound up with liturgy,
and the nature of the liturgical books referred to is explained by W.
Maskell, _A Dissertation upon the Ancient Service-Books of the Church
of England_ (in _Monumenta Ritualia Ecclesiae Anglicanae_, 2nd ed.,
1882, vol. iii); H. B. Swete, _Church Services and Service-Books before
the Reformation_ (1896); Procter-Frere, _New History of the Book of
Common Prayer_ (1901). The beginnings of Catholic ritual are studied by
L. Duchesne, _Origines du Culte chrétien_ (3rd ed., 1902, Eng. trans.
1903), and its mediaeval forms described by D. Rock, _The Church of our
Fathers_ (1849-53), and J. D. Chambers, _Divine Worship in England in
the Thirteenth and Fourteenth Centuries_ (1877).
The following list of books is mainly intended to elucidate the
references in the footnotes, and has no claim to bibliographical
completeness or accuracy. I have included the titles of a few German
and French dissertations of which I have not been able to make use.]
* * * * *
_Aberdeen Records._ Extracts from the Council Register of the Burgh of
Aberdeen. Edited by J. Stuart. 2 vols. 1844-8. [_Spalding Club_, xii,
xix.]
_Acta SS._ Acta Sanctorum quotquot toto orbe coluntur, quas collegit
I. Bollandus. Operam continuavit G. Henschenius [et alii], 1734-1894.
[In progress.]
AHN. English Mysteries and Miracle Plays. By Dr. Ahn. Trier, 1867. [Not
consulted.]
ALCUIN. See DÜMMLER.
ALLARD. Julien l’Apostat. Par P. Allard. 3 vols. 1900-3.
ALLEN. The Evolution of the Idea of God: an Enquiry into the Origins of
Religion. By Grant Allen, 1897.
ALT. Theater und Kirche in ihrem gegenseitigen Verhältniss. Von H. Alt,
1846.
_Anal. Hymn._ Analecta Hymnica Medii Aevi. Ediderunt C. Blume et G. M.
Dreves. 37 parts, 1886-1901. [In progress.]
ANCONA. Origini del Teatro italiano. Per A. d’Ancona, 2nd ed. 2 vols.
1891.
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