The mediaeval stage, volume 1 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 1 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
It must not be supposed that established minstrels, whether royal,
noble, or municipal, were always in constant attendance on their lords.
Certain fixed services were required of them, which were not very
serious, except in the case of waits[225]; for the rest of their time
they were free. This same ‘Black Book’ of Edward IV is very explicit on
the point. The minstrels are to receive a yearly fee and a livery[226].
They must attend at court for the five great feasts of the year. At
other times, two or three out of their number, or more if the king
desire it, are to be in waiting. The last regulation on the subject
is curious. The king forbids his minstrels to be too presumptuous or
familiar in asking rewards of any lord of the land; and in support of
this he quotes a similar prohibition by the Emperor Henry II[227].
Doubtless, in the intervals of their services, the household minstrels
travelled, like their unattached brethren of the road, but with the
added advantage of a letter of recommendation from their lord, which
ensured them the hospitality of his friends[228]. Such letters were
indeed often given, both to the minstrels of a man’s own household and
as testimonials to other minstrels who may have especially pleased the
giver. Those interesting collections of mediaeval epistolary formulae,
the _summae dictaminis_, contain many models for them, and judging by
the lavish eulogy which they employ, the minstrels themselves must have
had a hand in drawing them up[229]. Many minstrels probably confined
themselves to short tours in the vicinity of their head quarters;
others, like Widsith, the Anglo-Saxon _scôp_, were far travellers. John
Caumz received a licence from Richard II to cross the seas, and in 1483
we find Richard III entertaining minstrels of the dukes of Austria
and Bavaria[230]. Possibly the object of John Caumz was to visit one
of the _scolae ministrallorum_ in France, where experiences might be
exchanged and new songs learnt. Beauvais, Lyon, Cambrai were famous for
these schools, which were held year by year in Lent, when performances
were stopped; and the wardrobe accounts of Edward III record grants of
licences and expenses to Barbor and Morlan, two bagpipers, to visit the
_scolas ministrallis in partibus trans mare_[231].
Public-domain text, read in full here on John Shaqi.
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