The mediaeval stage, volume 2 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 2 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
I am not quite satisfied as to the relations of date between the
_Concordia Regularis_ and the Winchester tropers, or as to whether the
_Quem quaeritis_ was intended in one or both of these manuscripts for
use at the Easter Matins[39]. But it is clear that such a use was known
in England at any rate before the end of the tenth century. It was also
known in France and in Germany: the former fact is testified to by the
_Consuetudines_ of the monastery of St. Vito of Verdun[40]; the latter
by the occurrence of the _Quem quaeritis_ in a troper of Bamberg, where
it has the heading _Ad visitandum sepulchrum_ and is followed by the
Matins chant of _Te Deum_[41].
The heading of the Bamberg version and the detailed description of
the _Concordia Regularis_ bring the _Quem quaeritis_ drama into close
relations with the Easter ‘sepulchre’[42]. They are indeed the first
historical notices of the ceremony so widely popular during the Middle
Ages. Some account of the Easter sepulchre must accordingly be inserted
here, and its basis shall be the admirably full description of St.
Ethelwold[43]. He directs that on Good Friday all the monks shall go
_discalceati_ or shoeless from Prime ‘until the cross is adored’[44].
In the principal service of the day, which begins at Nones, the reading
of the Passion according to St. John and a long series of prayers are
included. Then a cross is made ready and laid upon a cushion a little
way in front of the altar. It is unveiled, and the anthem _Ecce lignum
crucis_ is sung. The abbot advances, prostrates himself, and chants the
seven penitential psalms. Then he humbly kisses the cross. His example is
followed by the rest of the monks and by the clergy and congregation. St.
Ethelwold proceeds:—
‘Since on this day we celebrate the laying down of the body
of our Saviour, if it seem good or pleasing to any to follow
on similar lines the use of certain of the religious, which
is worthy of imitation for the strengthening of faith in the
unlearned vulgar and in neophytes, we have ordered it on this
wise. Let a likeness of a sepulchre be made in a vacant part of
the altar, and a veil stretched on a ring which may hang there
until the adoration of the cross is over. Let the deacons who
previously carried the cross come and wrap it in a cloth in
the place where it was adored[45]. Then let them carry it back,
singing anthems, until they come to the place of the monument,
and there having laid down the cross as if it were the buried
body of our Lord Jesus Christ, let them say an anthem. And here
let the holy cross be guarded with all reverence until the
night of the Lord’s resurrection. By night let two brothers or
three, or more if the throng be sufficient, be appointed who
may keep faithful wake there chanting psalms.’
Public-domain text, read in full here on John Shaqi.
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