The mediaeval stage, volume 2 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 2 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
If the central point of the _Quem quaeritis_ is the _sepulchrum_, that
of the _Pastores_ is the _praesepe_. In either case the drama, properly
so called, is an addition, and by no means an invariable one, to the
symbolical ceremony. The _Pastores_ may, in fact, be described, although
the term does not occur in the documents, as a _Visitatio praesepis_.
The history of the _praesepe_ can be more definitely stated than that
of the _sepulchrum_. It is by no means extinct. The Christmas ‘crib’
or _crèche_, a more or less realistic representation of the Nativity,
with a Christ-child in the manger, a Joseph and Mary, and very often
an ox and an ass, is a common feature in all Catholic countries at
Christmas time[160]. At Rome, in particular, the _esposizione del santo
bambino_ takes place with great ceremony[161]. A tradition ascribes
the first _presepio_ known in Italy to St. Francis, who is said to
have invented it at Greccio in 1223[162]. But this is a mistake. The
custom is many centuries older than St. Francis. Its Roman home is
the church of S. Maria Maggiore or _Ad Praesepe_, otherwise called
the ‘_basilica_ of Liberius.’ Here there was in the eighth century a
permanent _praesepe_[163], probably built in imitation of one which had
long existed at Bethlehem, and to which an allusion is traced in the
writings of Origen[164]. The _praesepe_ of S. Maria Maggiore was in the
right aisle. When the Sistine chapel was built in 1585-90 it was moved
to the crypt, where it may now be seen. This church became an important
station for the Papal services at Christmas. The Pope celebrated Mass
here on the vigil, and remained until he had also celebrated the first
Mass on Christmas morning. The bread was broken on the manger itself,
which served as an altar. At S. Maria Maggiore, moreover, is an important
relic, in some boards from the _culla_ or cradle of Christ, which are
exposed on the _presepio_ during Christmas[165]. The _presepio_ of S.
Maria Maggiore became demonstrably the model for other similar chapels
in Rome[166], and doubtless for the more temporary structures throughout
Italy and western Europe in general.
Public-domain text, read in full here on John Shaqi.
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