The mediaeval stage, volume 2 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 2 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
William Fitzstephen (†1170-82), in a description of London prefatory to
his _Vita_ of St. Thomas à Becket, says:—
‘Lundonia pro spectaculis theatralibus, pro ludis scenicis, ludos habet
sanctiores, representationes miraculorum quae sancti confessores
operati sunt, seu representationes passionum quibus claruit constantia
martyrum[854].’
Nothing more is heard of plays in London until 1378, when the scholars of
St. Paul’s petitioned Richard II,
‘to prohibit some unexpert people from representing the History of the
Old Testament, to the great prejudice of the said Clergy, who have been
at great expence in order to represent it publickly at Christmas[855].’
The chronicler Malvern records that in 1384,—
‘Vicesimo nono die Augusti clerici Londoniae apud Skynnereswelle fecerunt
quendam ludum valde sumptuosum, duravitque quinque diebus[856].’
In 1391 Malvern again records,—
‘Item xviijᵒ die Iulii clerici Londonienses fecerunt ludum satis curiosum
apud Skynnereswell per dies quatuor duraturum, in quo tam vetus quam
novum testamentum oculariter ludendo monstrabant[857].’
In 1393, according to the _London Chronicle_, ‘was the pley of seynt
Katerine[858].’
Other chronicles record a play in 1409:—
‘This yere was the play at Skynners Welle, whiche endured Wednesday,
Thorsday, Friday, and on Soneday it was ended[859].’
The accounts of the royal wardrobe show that a scaffold of timber was
built for the King (Henry IV), prince, barons, knights, and ladies on
this occasion, and that the play showed,—
‘how God created Heaven and Earth out of nothing, and how he created Adam
and so on to the Day of Judgment[860].’
Finally, the Grey Friars Chronicle mentions a yet longer play in 1411:—
‘This year beganne a gret pley from the begynnyng of the worlde at the
skynners’ welle, that lastyd vij dayes contynually; and there ware the
moste parte of the lordes and gentylles of Ynglond[861].’
The performers in most, if not all, of this group of plays were the
clerks in minor orders who naturally abounded in London. The Guild of St.
Nicholas of Parish Clerks had existed since 1233. In 1442 they received
a charter, which refers to ‘diversis charitatis et pietatis operibus
per ipsos annuatim exhibitis et inventis[862].’ These _opera_ possibly
include the plays, which may have become annual between 1411 and 1442.
They seem to have been given at various times of year, and hard by the
well, variously described as Skinners Well or Clerkenwell. The Priory of
St. Bartholomew is not far, and the plays may have had some connexion,
at one time or another, with the famous Bartholomew Fair[863]. It was
probably the double name of the well that led Stowe to say that ‘the
skinners of London held there certain plays yearly, played of Holy
Scripture[864].’
Public-domain text, read in full here on John Shaqi.
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