(_Munich MS._ 19,486, printed in J. A. Schmeller, _Carmina Burana_, 3rd ed. 1894, with additional fragments in W. Meyer, _Fragmenta Burana_, 1901). This is probably the repertory of travelling goliardic clerks. The twelfth-century manuscript which preserves the three plays of Hilarius (_Bibl. Nat. Lat._ 11,331, printed in J. J. Champollion-Figeac, _Hilarii Versus et Ludi_, 1838) is of a similar character.—The tropes are fully dealt with by L. Gautier, _Hist. de la Poésie liturgique au Moyen Âge_, vol. i (all published, 1886), and W. H. Frere, _The Winchester Troper_ (1894). I have not been able to see A. Reiners, _Die Tropen-, Prosen- und Präfations-Gesänge des feierlichen Hochamtes im Mittelalter_ (1884). Antiquarian data are collected by H. J. Feasey, _Ancient English Holy Week Ceremonial_ (1897), and A. Heales, _Easter Sepulchres_, in _Archaeologia_, vol. xlii. I have printed an important passage from the _Regularis Concordia_ of St. Ethelwold (965-75) in Appendix O. The _Planctus Mariae_ are treated by A. Schönbach, _Die Marienklagen_ (1874), and E. Wechssler, _Die romanischen Marienklagen_ (1893). W. Köppen, _Beiträge zur Geschichte der deutschen Weihnachtsspiele_ (1893), and M. Sepet, _Les Prophètes du Christ_ (1878), contain valuable studies of the evolution of the _Stella_ and the _Prophetae_ respectively. The relation of dramatic to iconic art in the Middle Ages is brought out by P. Weber, _Geistliches Schauspiel und kirchliche Kunst_ (1894). A rather primitive bibliography is F. H. Stoddard, _References for Students of Miracle Plays and Mysteries_ (1887).—Authorities for English facts given without references in the present volume will be found in Appendices W and X.]