The Mediterranean: Its Storied Cities and Venerable RuinsAllen, Grant
History
The Mediterranean: Its Storied Cities and Venerable Ruins
Allen, Grant
Europe, Southern -- Description and travel; Mediterranean Region -- Description and travel
Nothing in Tangier, it must be honestly admitted, will compare with the
approach to it by its incomparable bay. In another sense, too, there is
nothing here or elsewhere which exactly resembles this "approach," since
its last stage of all has to be performed alike for man and woman--unless
man is prepared to wade knee-deep in the clear blue water--on the back of
a sturdy Moor. Once landed, he will find that the picturesqueness of
Tangier, like that of most Eastern cities, diminishes rather than
increases on a nearer view. A walk through its main street yields nothing
particularly worthy of note, unless it be the minaret of the
Djama-el-Kebir, the principal mosque of the city. The point to which every
visitor to Tangier directs his steps, or has them directed for him, is the
Bab-el-Sok, the gate of the market place, where the scene to be witnessed
at early morning presents an unequaled picture of Oriental life. Crouching
camels with their loads of dates, chaffering traders, chattering women,
sly and servile looking Jews from the city, fierce-eyed, heavily armed
children of the desert, rough-coated horses, and the lank-sided mules,
withered crones squatting in groups by the wayside, tripping damsels
ogling over the _yashmak_ as they pass, and the whole enveloped in a
blinding, bewildering, choking cloud of such dust as only Africa, "_arida
nutrix_," can produce--such dust as would make the pulverulent particles
of the dryest of turnpikes in the hottest of summers, and under the most
parching of east winds, appear by comparison moist and cool, and no more
than pleasingly titillatory of the mouth and nostrils--let the reader
picture to himself such a scene with such accessories, and he will know
what spectacle awaits him at early morning at the Bab-el-Sok of Tangier.
Public-domain text, read in full here on John Shaqi.
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