The Memoirs of a Failure: with an Account of the Man and His ManuscriptKittredge, Daniel Wright
Science
The Memoirs of a Failure: with an Account of the Man and His Manuscript
Kittredge, Daniel Wright
Failure (Psychology) -- Fiction; Harvard University -- Fiction; University of Virginia -- Fiction
“I am an Egyptian,” spoke up the man, “I was born a Thracian, but I
moved to Egypt. I lived at Memphis, a superb city which has long since
passed into complete oblivion. I often think that not one of us as we
used to walk its streets could ever have believed such utter desolation
possible. Away in the distance only the pyramids of our Pharaohs stand.
When I saw them last, I could hardly recognize them.”
“Why did you go to Memphis when you were alive?” asked the strange
professor.
“On account of a common concubine. I had to be a foolish young man.”
By this time, we had reached the elevators, and the professor said
that he would have to walk down, as he took with him the valise which
contained the mechanism too sensitive to be taken upon an elevator.
Whereupon, I insisted upon the three of us walking down, for I did not
wish to be left alone with the Egyptian.
When at last we reached the street, I offered to take them to the
opera, though I confessed that it would be nearly over. I hoped that
even a few strains of music might soothe my troubled brain. I purchased
three tickets, and we mingled with the magnificent assemblage in the
foyer. After looking about him, the Egyptian suddenly stood aghast.
“Is that the best your women can do?” asked the Egyptian, turning first
to me and then to the professor.
“What is the matter with them?” we asked together.
“After all these centuries, is the best they can do, the wearing of
trinkets on their ears, bangles on their arms, and their fingers stiff
with rings? Why, the barbaric brain of the early Egyptian perfected
every known design of jewelry. Is woman at heart still a savage? And
these absurd head-dresses! And that dirty powder on their faces! Have
you not gotten beyond even that common sort of vanity?”
“I am afraid that your friend will not enjoy it here,” I said, fearing
a scene, “let us leave.”
As it was now late in the evening, I took them to a famous French
café. We had hardly seated ourselves at a table, when the place filled
with people who came from the closing of the theatres. Soon the corks
popped from the bottles, soon the men became noisy and drowned the
music, and soon the painted women became vulgar.
“Is this the best your men can do?” asked the Egyptian, looking about
him, as though a pall of ennui had fallen upon him, “after all these
generations since I was foolish, is man’s chief diversion that of
getting drunk with low women? I used to do this with the strumpets
of Babylon; and those chartered courtesans were at least naturally
beautiful.”
“You had better go back to your mummy case,” said the professor, “we
have nothing more to offer you. Here is your sleeping powder.”
The Egyptian took the powder and willingly made his escape. The
professor looked at me, and I looked at the professor. I fear that I
was rather sheep-faced and ashamed of the only civilization we had to
offer. The professor saw my chagrin, and that he had scored in favor of
his doctrines.
Public-domain text, read in full here on John Shaqi.
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