The Memoirs of François René Vicomte de Chateaubriand sometime Ambassador to England, Volume 2 (of 6): Mémoires d'outre-tombe, volume 2Chateaubriand, François-René, vicomte de
History
The Memoirs of François René Vicomte de Chateaubriand sometime Ambassador to England, Volume 2 (of 6): Mémoires d'outre-tombe, volume 2
Chateaubriand, François-René, vicomte de
Chateaubriand, François-René, vicomte de, 1768-1848
While tragedy dyed the streets, the pastoral flourished on the stage;
there was question of little but innocent shepherds and virginal
shepherdesses: fields, brooks, meadows, sheep, doves, the golden age
beneath the thatch, were revived to the sighing of the shepherd's
pipe before the cooing Tirces and the simple-minded knitting-women
who had but lately left that other spectacle of the guillotine. Had
Sanson had time, he would have played Colin to Mademoiselle Théroigne
de Méricourt's[21] Babet. The Conventionals plumed themselves upon
being the mildest of men: good fathers, good sons, good husbands, they
went out walking with the children, acted as their nurses, wept with
tenderness at their simple games; they lifted these little lambs gently
in their arms to show them the "gee-gees" of the carts carrying the
victims to execution. They sang the praises of nature, peace, pity,
kindness, candour, the domestic virtues; these devout philanthropists,
with extreme sensibility, sent their neighbours to have their heads
sliced off for the greater happiness of mankind.
*
[Sidenote: Paris in 1792.]
Paris in 1792 no longer presented the outward aspect of 1789 and 1790:
one saw no longer the budding Revolution, but a people marching drunk
to its destinies, across abysses and by uncertain roads. The appearance
of the people was no longer tumultuous, curious, eager: it was
threatening. In the streets one met none but frightened or ferocious
figures, men creeping along the houses so as not to be seen, or others
seeking their prey: timid and lowered eyes were turned away from you,
or else harsh eyes were fixed on yours in order to sound and fathom you.
All diversity of costume had ceased; the old world kept in the
background; men had donned the uniform cloak of the new world, a
cloak which had become merely the last garment of the future victims.
Already the social license displayed at the rejuvenation of France,
the liberties of 1789, those fantastic and unruly liberties of a state
of things which is engaged in self-destruction and which has not yet
turned to anarchy were levelling themselves beneath the sceptre of the
people; one felt the approach of a plebeian tyranny, fruitful, it is
true, and filled with expectations, but also formidable in a manner
very different from the decaying despotism of the old monarchy: for,
the sovereign people being ubiquitous, when it turns tyrant the tyrant
is ubiquitous; it is the universal presence of an universal Tiberius.
With the Parisian population was mingled an exotic population of
cut-throats from the south; the advance-guard of the Marseillese, whom
Danton was bringing up for the day's work of the 10th of August and the
massacres of September, were recognisable by their rags, their bronzed
complexions, their look of cowardice and crime, but of crime of another
sun: _in vultu vitium._
Public-domain text, read in full here on John Shaqi.
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