The Memoirs of François René Vicomte de Chateaubriand sometime Ambassador to England. Volume 6 (of 6): Mémoires d'outre-tombe volume 6Chateaubriand, François-René, vicomte de
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The Memoirs of François René Vicomte de Chateaubriand sometime Ambassador to England. Volume 6 (of 6): Mémoires d'outre-tombe volume 6
Chateaubriand, François-René, vicomte de
Chateaubriand, François-René, vicomte de, 1768-1848
Baptiste, suffering from over-fatigue, compelled me to stop at
Hollfeld. While supper was being made ready, I climbed the rock which
overlooks a part of the village. Upon that rock rises a square belfry;
swifts screamed as they swept round the roof and fronts of the turret.
That scene consisting of a few birds and an old tower had not repeated
itself since the days of my childhood at Combourg; my heart was quite
oppressed by it. I went down to the church on a hanging ground towards
the west; it was surrounded by its grave-yard abandoned by the new
deceased. The old dead only marked out their furrows there: a proof
that they had tilled their field. The setting sun, pale and drowned,
on the horizon, in a fir-plantation, lit up the lonely refuge where no
other man than I stood erect. When shall I be recumbent in my turn? We
are beings of nothingness and darkness; our impotency and our potency
are strongly characterized: we cannot, at will, procure for ourselves
either light or life; but nature, by giving us eye-lids and a hand, has
put night and death at our disposal.
Entering the church, whose door was half-open, I knelt down with the
intention of saying an _Our Father_ and _Hail Mary_ for the repose of
my mother's soul: a servitude of immortality laid upon Christian souls
in their mutual affection. Suddenly I thought I heard the shutter of a
confessional open; I fancied that Death, instead of a priest, was about
to appear at the penance grating. At that very moment, the bell-ringer
came to lock the door of the church: I had only time to leave.
[Sidenote: The little basket-carrier.]
Returning to the inn, I met a little basket-carrier: she had bare legs
and feet; her skirt was short, her bodice torn; she walked stooping and
with her arms crossed. Together we climbed a steep road; she turned her
sun-burnt face a little to my side; her pretty and dishevelled head
was glued against her basket. Her eyes were black; her mouth was half
open to facilitate her breathing; one saw that, under her burdened
shoulders, her young breast had as yet felt no other weight than the
spoils of the orchards. She tempted one to talk to her of roses:
"Ρόδα μ'εἴ ρηχας[13]."
I applied myself to casting the adolescent vintager's horoscope: will
she grow old at the wine-press, unknown and happy as the mother of a
family? Will she be carried off to the camps by a corporal? Will she
fall a prey to some Don Juan? The abducted village-girl loves her
ravisher as much with astonishment as with passion: he transports
her to a marble palace on the Straits of Messina, under a palm-tree
beside a spring, opposite the sea displaying its azure billows and Etna
belching flames.
Public-domain text, read in full here on John Shaqi.
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