The Memoirs of Madame Vigée LebrunVigée-Lebrun, Louise-Elisabeth
History
The Memoirs of Madame Vigée Lebrun
Vigée-Lebrun, Louise-Elisabeth
Painters -- France -- Biography; Portrait painting, French -- 18th century; Vigée-Lebrun, Louise-Elisabeth, 1755-1842
All these places were frequented much more than Tivoli is to-day. It
is surprising, too, that the Parisians, who have nothing but the
Tuileries and the Luxembourg, should have renounced those other
resorts, which were half urban and half rural, where you went in the
evening to get a breath of air and eat ices.
CHAPTER II
UP THE LADDER OF FAME
TEDIOUS SOJOURN IN THE COUNTRY -- SOCIAL AMENITIES IN PARIS --
MLLE. VIGEE BECOMES MME. LEBRUN -- PROGNOSTICATIONS OF UNHAPPY
WEDLOCK -- ON THE LADDER OF FAME -- SINGULARITIES OF ORIENTAL
TASTE -- MARIE ANTOINETTE AS A MODEL -- PAINTING THE ROYAL FAMILY
-- HOW LOUIS XVIII. SANG -- THE PRINCESS DE LAMBALLE.
My detestable stepfather, annoyed no doubt by the public admiration
shown my mother, forbade us to go for any more walks, and informed us
that he was about to take a place in the country. At this announcement
my heart beat with joy, for I was passionately fond of the country. I
had been sleeping near the foot of my mother's bedstead, in a dark
corner where the light of day never penetrated. Every morning,
whatever the weather might be, my first care was to open the window
wide, such was my thirst for fresh air.
So my stepfather took a small cottage at Chaillot, and we went there
on Saturday, spent Sunday there, and returned to Paris on Monday
morning. Good heavens, what a country! Imagine a tiny vicarage garden,
without a tree, without any shelter from the blazing sun but a little
arbour, where my stepfather had planted some beans and nasturtium,
which refused to grow. At that we only occupied a quarter of this
delightful garden, for it was divided into four by slender railings,
and the three other sections were let out to shopboys, who came
every Sunday and amused themselves by shooting at the birds. The
incessant noise threw me into a desperate state of mind, besides which
I was terribly afraid of being killed by these marksmen, so inaccurate
was their aim. I could not understand why this stupid, ugly place, the
very recollection of which makes me yawn as I write, was "the
country." At last my good angel brought to my rescue a friend of my
mother's, who one day came to dine with us at Chaillot with her
husband. Both were sorry for me in my exile, and sometimes took me out
for a charming drive.
[Illustration: MADAME VIGEE LEBRUN
Marked: "Virginia Lebrun, St. Luke's Gallery, Rome".]
Public-domain text, read in full here on John Shaqi.
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