The Memoirs of Madame Vigée LebrunVigée-Lebrun, Louise-Elisabeth
History
The Memoirs of Madame Vigée Lebrun
Vigée-Lebrun, Louise-Elisabeth
Painters -- France -- Biography; Portrait painting, French -- 18th century; Vigée-Lebrun, Louise-Elisabeth, 1755-1842
We went to Marly-le-Roi, and there I found a more beautiful spot than
any I had seen in my life. On each side of the magnificent palace were
six summer-houses communicating with one another by walks embowered
with jessamine and honeysuckle. Water fell in cascades from the top of
a hill behind the castle, and formed a large channel on which a number
of swans floated. The handsome trees, the carpets of green, the
flowers, the fountains, one of which spouted up so high that it was
lost from sight--it was all grand, all regal; it all spoke of Louis
XIV. One morning I met Queen Marie Antoinette walking in the park with
several of the ladies of her court. They were all in white dresses,
and so young and pretty that for a moment I thought I was in a dream.
I was with my mother, and was turning away when the Queen was kind
enough to stop me, and invited me to continue in any direction I might
prefer. Alas! when I returned to France in 1802 I hastened to see my
noble, smiling Marly. The palace, the trees, the cascades, and the
fountains had all disappeared; scarcely a stone was left.
I found it very hard to quit those lovely gardens and go back to our
hideous Chaillot. But we at last went back to Paris, and settled there
for the winter. The time left over from my work I now spent in a most
agreeable manner. From the age of fifteen I had been going out into
the best society; and I knew all the celebrated artists, so that I
received invitations from all sides. I very well remember the first
time I dined in town with the sculptor Le Moine, who was then enjoying
a great reputation. It was there I met the famous actor Lekain, who
struck terror into my heart because of his wild and sinister
appearance; his huge eyebrows only added to the fierce expression of
his face. He scarcely talked at all, and ate enormously. At Le Moine's
I made the acquaintance of Gerbier, the noted advocate, and of his
daughter Mme. de Roissy, who was very beautiful, and one of the first
women I made a portrait of. Gretry and Latour, an eminent pastellist,
often came to these dinners at Le Moine's, which were highly convivial
and amusing. It was then the custom to sing at dessert. When the turn
of the young ladies came--to whom, I must admit, this custom was
torture--they would turn pale and tremble all over, and consequently
often sing very much out of tune. In spite of these dissonances, the
dinners ended pleasantly, and we always rose from the table with
regret, although we did not immediately order our carriages, as the
fashion is to-day.
Public-domain text, read in full here on John Shaqi.
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