The Memoirs of Madame Vigée LebrunVigée-Lebrun, Louise-Elisabeth
History
The Memoirs of Madame Vigée Lebrun
Vigée-Lebrun, Louise-Elisabeth
Painters -- France -- Biography; Portrait painting, French -- 18th century; Vigée-Lebrun, Louise-Elisabeth, 1755-1842
One can have no idea of the grand and imposing effect of the Catholic
religion unless one can see Rome during Lent. On Easter Day I took
good care to be in the square of St. Peter's to see the Pope give his
blessing. Nothing could have been more solemn. The immense square was
filled at early morning by peasants and by the inhabitants of the
town, in all sorts of different costumes--bright and varied in
colour--and there were also a large number of pilgrims. They all stood
as still as the superb obelisk of Oriental granite in the middle of
the square. At ten o'clock the Pope arrived, clothed all in white, his
crown on his head. He took his place in the centre stand outside the
church on a magnificent high velvet throne. The Cardinals surrounded
him, clad in their handsome dress. It must be said that Pope Pius VI.
was splendid. His healthy face showed no sign of the wear and tear of
old age. His hands were white and plump. He knelt down to read his
prayer. Afterward, rising up, he gave a double blessing in speaking
these words, "_Urbi et Orbi_." Then, as if struck by an electric
shock, the people, the strangers, the troops, and all others fell on
their knees, while the cannons boomed from all sides, this adding to
the majesty of the scene, by which it was impossible not to be moved.
[Illustration: THE BARONESS DE CRUSSOL.]
The blessing given, the Cardinals threw a quantity of papers down from
the gallery, and these, I was told, were indulgences. Thousands of
hands shot upward to grasp them. The eagerness and the excitement of
this crowd, its pressing and pushing, were beyond description. When
the Pope withdrew, the regimental bands intoned a flourish, and the
troops then marched off to the rattle of drums. In the evening the
dome of St. Peter's was illuminated, first with lights under coloured
glasses, and then with white lights of greatest brilliancy. It was
difficult to conceive how the change could be effected with such
rapidity; however, the spectacle was as beautiful as it was
remarkable. The same evening, too, gorgeous fireworks were set off at
the castle of St. Angelo. Myriads of bombs and fire balloons were sent
into the air; the final display was the most magnificent to be seen of
the kind, and the reflection of these splendid fireworks in the Tiber
doubled their effect.
In Rome, where everything is grand, the great mansions have no
wretched lamps before them, but each palace is provided with enormous
candelabras, from which stream gigantic flames that shed day, so to
speak, over the whole city. This luxurious manner of lighting strikes
a stranger the more as the streets of Rome are mostly illuminated by
the lamps burning in front of the Madonnas.
Public-domain text, read in full here on John Shaqi.
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