The Memoirs of Madame Vigée LebrunVigée-Lebrun, Louise-Elisabeth
History
The Memoirs of Madame Vigée Lebrun
Vigée-Lebrun, Louise-Elisabeth
Painters -- France -- Biography; Portrait painting, French -- 18th century; Vigée-Lebrun, Louise-Elisabeth, 1755-1842
Strangers are attracted to Rome far more by Holy Week than by the
carnival, at which I was not surprised. The masqueraders establish
themselves in tiers, disguised as harlequins, as pulcinellos, etc.,
just as we see them on the boulevards in Paris, the difference being
that in Rome they never stir. I saw only a single young man going
about the streets after the French fashion. He was giving a lifelike
imitation of a very affected exquisite whom we had no difficulty in
recognising. The carriages and wagons come and go full of richly
costumed people. The horses are adorned with feathers, ribbons, and
bells, the servants being dressed up as Scaramouche or Harlequin, but
it all passes off in the quietest way in the world. Finally, toward
evening, several discharges of cannon announce the horse-races, which
enliven the rest of the day.
There is no town in the world where one could pass one's time as
delightfully as in Rome, even were one deprived of all the resources
which good society offers. The walks within the walls are a joy, for
one is never tired of revisiting the Coliseum, the Capitol, the
Pantheon, the square of St. Peter's with its colonnades, its superb
obelisk, and its lovely fountains, across which the rays of the sun
often throw beautiful rainbows. The square is wonderfully impressive
at sunset and in the moonlight. Whether it was on my way or not, I
always took pleasure in crossing it.
What astonished me very much in Rome was to find at the Coliseum, on
Sunday mornings, a crowd of women from the lowest classes,
extravagantly bedizened, loaded with ornaments, and wearing in their
ears enormous stars of paste diamonds. It was also in this garb that
they went to church, frequently followed by a domestic, who very often
was no other than their husband, his real occupation being probably
that of a valet. These women do nothing at home; their idleness is
such that they live in the greatest want. They may be seen at their
windows in the streets of Rome, with flowers and feathers on their
head, their faces made up with cosmetics. The upper part of their
dress, which is visible, indicates great luxury, so that one is
surprised, upon entering their rooms, to find that they have on
nothing more than a dirty petticoat. The Roman dames whom I mention
nevertheless enact aristocratic parts, and when the time comes to go
to the villas they carefully close their shutters in order to create
the belief that they have left for the country.
Public-domain text, read in full here on John Shaqi.
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