The Memoirs of Madame Vigée LebrunVigée-Lebrun, Louise-Elisabeth
History
The Memoirs of Madame Vigée Lebrun
Vigée-Lebrun, Louise-Elisabeth
Painters -- France -- Biography; Portrait painting, French -- 18th century; Vigée-Lebrun, Louise-Elisabeth, 1755-1842
I was assured that every woman in Rome was in the habit of carrying a
dagger. I do not, however, believe that the great ladies wear any, but
certain it is that the wife of Denis, the landscape painter, with whom
I lodged, and who was a Roman, showed me the dagger which she always
had about her. As for the men of the people, they are never unprovided
with one, and this brings about a number of grave tragedies. Three
evenings after my arrival, for instance, I heard in my street some
shouts followed by a great tumult. I sent out to learn what the matter
was, and was informed that a man had just killed another with his
dagger. As these peculiar habits made me very much afraid, I was
assured that strangers had nothing to fear--that it was simply a
question of an act of revenge between Italians. As for the case in
point, the murderer and his victim had quarrelled ten years ago, and
the first, having recognised his enemy, at once struck him down with
his dagger, which proves how long an Italian can keep a grudge.
Certainly the customs of the upper class are milder, since high
society is very much the same all over Europe. However, I am not the
best judge, as with the exception of relations involving my art, and
invitations sent to me for numerous parties, I had little occasion to
become acquainted with the patrician ladies of Rome. What happened to
me was what naturally happens to every exile, which was to seek the
company of my own countrymen. In 1789 and 1790 Rome was full of French
refugees, whom I knew for the greater part, and with whom I soon made
friends. We saw the Princess Joseph de Monaco and the Duchess de
Fleury arrive, and a host of other notabilities. The Princess Joseph
de Monaco had a charming face, and was very sweet and charming.
Unfortunately for her, she did not stay in Rome. She returned to Paris
to attend to the small amount of property remaining to her children,
and she was there during the Terror. Thrown into prison and condemned
to death, she was taken to the scaffold.
The arrival at Rome of so many people bringing so much news made me
undergo different emotions every day. Often they were very sad, but
sometimes very sweet. I was told, for instance, that a little while
after my departure, when the King was begged to have his picture
painted, he had replied: "No, I shall wait for Mme. Lebrun to come
back, so that she may make a portrait of me to match the Queen's. I
want her to paint me at full figure, in the act of commanding M. de la
Perouse to make a journey round the world."
CHAPTER V
NEAPOLITAN DAYS
NAPLES -- A SLEEPY AMBASSADRESS -- THE REMARKABLE LIFE OF LADY
HAMILTON -- BEING THE STORY OF A FRIVOLOUS FLIRT FOND OF BEER --
MORE ROYAL MODELS -- EXCURSIONS TO POSILIPPO -- MLLE. LEBRUN
WRITES A NOVEL AT THE AGE OF NINE -- THE QUEEN OF NAPLES SITS TO
THE AUTHORESS -- THE WEDDING OF THE DOGE OF VENICE WITH THE SEA.
Public-domain text, read in full here on John Shaqi.
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