The Mentor: American Miniature Painters, January 15, 1917, Serial No. 123 — John Shaqi
The Mentor: American Miniature Painters, January 15, 1917, Serial No. 123Lounsbery, Elizabeth
General
The Mentor: American Miniature Painters, January 15, 1917, Serial No. 123
Lounsbery, Elizabeth
Miniature painting -- United States; Portrait painters -- United States; Portrait painting, American -- 19th century
Actual size: 7 inches high, 6 inches wide.
COPYRIGHT, 1895, BY THE PROVIDENCE ATHENAEUM
IN THE PROVIDENCE ATHENAEUM]
_AMERICAN MINIATURE PAINTERS_
_Edward G. Malbone_
TWO
Edward Greene Malbone was born in Newport, Rhode Island, August 17,
1777, and died in Savannah in 1807. While a boy he frequently visited
the local theater in his native town to watch the process of scene
painting, and, later, tried his hand at this work--attaining what
was considered by the townspeople great success. As a child he was
quiet, reserved and self-absorbed. At sixteen he showed an indication
of great talent in his first portrait miniature. Encouraged in his
efforts by the English Consul at Providence, he devoted himself to the
study of drawing heads and painting miniatures, and, at seventeen,
he became professionally identified with miniature painting in
Providence, and, in 1796, fairly established as a miniature painter in
Boston.
In 1800 he accompanied his friend and fellow artist, Washington
Allston, to Charleston, and the following year the two went together
to Europe. It was during his stay in London that Malbone painted his
most important miniature, "The Hours," now owned by the Providence
Athenæum. This shows, at three-quarter length, the figures of three
beautiful women, who represent, as the Greeks personified them,
Eunomia, Dice (die´-see) and Irene--the Past, the Present and the
Coming Hour. They have a general resemblance and seem as if they might
represent the same individual in different moments of emotion and
development.
On the left is seen Eunomia or the Past, with an expression of
pensive reluctance rather than regret. The central figure is Dice,
or the Present--looking straight out from the picture. Her right arm
is slightly raised toward Eunomia, at the left, while the left hand
reaches half deprecatingly toward the Coming Hour. Irene, or the
Coming Hour, is shown leaning upon the left shoulder of the Present.
This miniature was given to his sister by the painter during
his lifetime, and, later, was purchased from the family by the
subscription of twelve hundred dollars for the Providence Athenæum.
Although urged by Benjamin West to remain in England, where his art
would win him ample appreciation and employment, Malbone preferred
to return to America, and on his arrival traveled for several
years--stopping in the principal cities to paint miniatures. "These,"
to quote Tuckerman, "are among the few pleasant and precious artistic
associations with the past in this country."
Ill health finally took Malbone to Jamaica, but finding that his
illness was incurable he left there, with the intention of returning
to New England, but died in Savannah--in the prime of his life and
success--before he could reach the North. Malbone is now considered
the most important of all miniaturists of his time.
Public-domain text, read in full here on John Shaqi.
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