The Mentor: American Miniature Painters, January 15, 1917, Serial No. 123Lounsbery, Elizabeth
General
The Mentor: American Miniature Painters, January 15, 1917, Serial No. 123
Lounsbery, Elizabeth
Miniature painting -- United States; Portrait painters -- United States; Portrait painting, American -- 19th century
PREPARED BY THE EDITORIAL STAFF OF THE MENTOR ASSOCIATION
ILLUSTRATION FOR THE MENTOR, VOL. 4, No. 23, SERIAL No. 123
COPYRIGHT, 1917, BY THE MENTOR ASSOCIATION, INC.
[Illustration: THE GOLDEN HOUR.
BY W. J. BAER
Actual size. 4 inches high, 5 inches wide.
COPYRIGHT. 1896, BY W. J. BAER
IN THE POSSESSION OF
MR. ROBERT S. CLARK, NEW YORK CITY]
_AMERICAN MINIATURE PAINTERS_
_William J. Baer_
THREE
Art beckons and the artist follows. Only an artist knows what the lure
of art is. The field of art is full of enticements. Little incidents,
apparently insignificant, have sometimes been sufficient to change an
artist's career and direct him toward his most brilliant achievements.
William J. Baer was thirty years of age before he painted a miniature.
More than that, he had never seen a miniature that interested him, and
he believed that miniature painting had limitations that precluded it
from serious consideration. He was an instructor of drawing at Cooper
Institute, New York City, an illustrator for magazines, and a painter
of portraits, and had no thought of painting miniatures when, in 1892,
he finished a very successful portrait of the late Alfred Corning
Clark of New York. Mr. Clark was so pleased with the painting that he
expressed a desire to have a copy of it in miniature. Mr. Baer did not
believe that a result could be obtained worthy of the effort, so he
refused to try it. Mr. Clark renewed his request, and Mr. Baer again
refused. A short time after, however, having some leisure, his mind
turned back to Mr. Clark's request, and, upon consideration, he was
prompted to make a quiet attempt at miniature painting. He supplied
himself with the necessary materials, and made his first experiment
by copying a head from one of his own pictures, a profile of a young
woman. The result was surprising to him--detail, patience, eyesight
and hand served him well. In another week he had painted the miniature
of Mr. Clark from his original sketch in oil colors. When Mr. Clark
saw it he was delighted and asked for another. And so, out of what was
at first a mere diversion, Mr. Baer developed a perfected art.
With the showing of Mr. Baer's miniatures at the First Portrait Show
in 1894, his success was definitely assured.
Public-domain text, read in full here on John Shaqi.
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