The Mentor: American Mural Painters, vol. 2, Num 15, Serial No. 67, September 15, 1914Hoeber, Arthur
General
The Mentor: American Mural Painters, vol. 2, Num 15, Serial No. 67, September 15, 1914
Hoeber, Arthur
Mural painting and decoration -- United States
PREPARED BY THE EDITORIAL STAFF OF THE MENTOR ASSOCIATION
ILLUSTRATION FOR THE MENTOR, VOL. 2, No. 15. SERIAL No. 67
COPYRIGHT, 1914. BY THE MENTOR ASSOCIATION. INC.
[Illustration: DETAIL OF THE ANTHONY DREXEL MEMORIAL CHANCEL, by E. H.
Blashfield.
In the Church of the Savior, Philadelphia, Pennsylvania.]
American Mural Painters
EDWIN HOWLAND BLASHFIELD
Monograph Number Two in The Mentor Reading Course
Edwin Howland Blashfield has a place in the front rank of American
mural painters through his elevation of thought and his masterly
execution. His imagination is fertile and his treatment of subjects
highly decorative. He has been able to paint both history and legend,
and has placed them side by side in the same compositions.
He was born on December 15, 1848, in New York City. He is a son of
William Henry Blashfield, and a brother of Albert Dodd Blashfield, the
illustrator.
Blashfield studied first at the Boston Latin School. Then, in 1867, he
went to Paris to study under Leon Bonnât. He also received valuable
advice from Gérôme and Chapù. He exhibited for many years at the Paris
Salon, and also at the Royal Academy in London. In 1881 he returned to
the United States and married.
For some years he was a painter of genre pictures; that is, pictures
of common life and its associations. Then he turned to decorative
work, which was marked by rare delicacy and beauty of color. At the
World’s Fair in Chicago in 1893 he painted mural decorations for a
dome in the Manufacturers’ Building. Later he did the great central
dome of the Congressional Library at Washington, the drawing room for
the Huntington residence, the decoration for the courtroom in the
courthouse at Baltimore, the decoration of the entire chancel in the
Church of the Savior at Philadelphia, and many other masterpieces of
mural art.
Blashfield is well known as a lecturer on art, and has written many
articles dealing with the subject. With Mrs. Blashfield he wrote, in
1900, “Italian Cities,” and together, with A. A. Hopkins, they edited
Vasari’s “Lives of the Painters.”
At one time Blashfield was president of the Society of American
Artists. He is a member of the American Academy of Arts and Letters,
and many other societies. He makes his home in New York City.
Blashfield has received many honors and medals, including a bronze
medal at the Paris Exposition in 1900, a gold medal at the St. Louis
Exposition in 1904, a Carnegie prize in 1911, and others.
PREPARED BY THE EDITORIAL STAFF OF THE MENTOR ASSOCIATION
ILLUSTRATION FOR THE MENTOR, VOL. 2, No. 15. SERIAL No. 67
COPYRIGHT, 1914. BY THE MENTOR ASSOCIATION. INC.
[Illustration: Copyright by M. G. Abbey.
From a Copley Print. Copyright by Curtis & Cameron, Inc.
THE APOTHEOSIS OF PENNSYLVANIA, BY E. A. ABBEY.
IN THE PENNSYLVANIA STATE CAPITOL AT HARRISBURG]
American Mural Painters
EDWIN AUSTIN ABBEY
Monograph Number Three in The Mentor Reading Course
Public-domain text, read in full here on John Shaqi.
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