The Mentor: American Mural Painters, vol. 2, Num 15, Serial No. 67, September 15, 1914 — John Shaqi
The Mentor: American Mural Painters, vol. 2, Num 15, Serial No. 67, September 15, 1914Hoeber, Arthur
General
The Mentor: American Mural Painters, vol. 2, Num 15, Serial No. 67, September 15, 1914
Hoeber, Arthur
Mural painting and decoration -- United States
In 1874, when Sargent was only eighteen, he went to Paris to study,
entering the atelier of Carolus-Duran. A portrait of his teacher
painted toward the close of his studentship won the commendation of the
best judges. He received an honorable mention in the Salon in 1878,
and in 1881 a second-class medal for his “Portrait of a Young Lady,”
which has been made famous by the appreciation of Henry James, the
distinguished American novelist. As an artist with a future he turned
his steps to Spain. In Madrid he studied the canvases of Velasquez
carefully, and this master has influenced his entire art career. He
seemed to come so close to this great painter that he was enabled to
bring into the nineteenth century the power of the most modern of
fifteenth century painters.
Sargent returned to Paris in 1882 and exhibited “El Jaleo,” a picture
representing a Spanish woman dancing, which attracted a great deal of
attention, and is now in the Boston Art Museum. Soon afterward Sargent
drifted to London, and in 1886 his “Carnation, Lily, Lily, Rose”
brought him immediate recognition. He rapidly became known in London as
a brilliant portrait painter, and year by year his Academy portraits
were the features of the exhibitions. His success was now assured, and
his sitters included the men and women of greatest distinction in the
literary, artistic, and social life of both Europe and America.
He is best known as a portrait painter; but at the same time he has
done much excellent decorative work, and his decorations for the Boston
Public Library, “The Pageant of Religion,” among which was the frieze
of “The Prophets,” which were completed in 1903, placed him among the
leading mural painters of America.
Sargent was elected a member of the Royal Academy in London in 1894,
and in addition to this he has won many other honors. And unlike
many American artists residing in Europe, he has always retained his
directness and independence.
PREPARED BY THE EDITORIAL STAFF OF THE MENTOR ASSOCIATION
ILLUSTRATION FOR THE MENTOR, VOL. 2, No. 15. SERIAL No. 67
COPYRIGHT, 1914. BY THE MENTOR ASSOCIATION. INC.
[Illustration: Copyright 1907 by DeW C. Ward.
THE BENEFICENCE OF THE LAW by Kenyon Cox. In the Essex County
Courthouse, Newark, New Jersey.]
American Mural Painters
KENYON COX
Monograph Number Six in The Mentor Reading Course
Not only has Kenyon Cox placed himself in the front rank of American
artists through his paintings, but he has also made a name for himself
as an art critic.
He was born at Warren, Ohio, on October 27, 1856. His father was
General Jacob Dolson Cox. He studied art when quite young, first at
Cincinnati and Philadelphia, and then at the age of twenty-one went to
Paris to study. There for five years he was under Carolus-Duran and
Gérôme.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account