The Mentor: American Mural Painters, vol. 2, Num 15, Serial No. 67, September 15, 1914 — John Shaqi
The Mentor: American Mural Painters, vol. 2, Num 15, Serial No. 67, September 15, 1914Hoeber, Arthur
General
The Mentor: American Mural Painters, vol. 2, Num 15, Serial No. 67, September 15, 1914
Hoeber, Arthur
Mural painting and decoration -- United States
In 1882 he returned to New York and opened a studio there. Shortly
after this he began teaching in the Art Students’ League, and had much
success in that line. In 1892 he married Louise Howland King, who is
well known as a painter herself.
The earlier work of Cox consisted mostly of the nude. He received
little encouragement for these pictures, however, and turned to mural
decoration, in which he has achieved prominence. His first step
toward mural work was the painting of two decorations for the Library
of Congress at Washington. In two tympanums (the flat, triangular
part of a pediment) each thirty-four feet in length, he has painted
the Arts and the Sciences. Among his better known examples are the
frieze for the courtroom of the Appellate Court, New York City, and
the decorations for the Walker Art Gallery at Bowdoin College, for
the Capitol at St. Paul, Minnesota, and for other public and private
buildings. His decoration, “The Beneficence of the Law,” in the Essex
County Courthouse at Newark, New Jersey, is one of his best-known
paintings.
Of late years Mr. Cox has spent much time on wall decorations. He is a
maker of pictures and a master of line; but is not an interpreter of
life nor an exploiter of ideas.
He is the author of a number of books on art, among which are “Old
Masters and New,” and “Painters and Sculptors,” in addition to some
poems. He was elected to the National Academy in 1903, and has received
many medals and honors.
PREPARED BY THE EDITORIAL STAFF OF THE MENTOR ASSOCIATION
ILLUSTRATION FOR THE MENTOR, VOL. 2, No. 15. SERIAL No. 67
COPYRIGHT, 1914. BY THE MENTOR ASSOCIATION. INC.
[Illustration: Copyright, by Hotel Imperial
Bowling on the Green, by E. A. Abbey.
In the grill of the Hotel Imperial, New York City]
AMERICAN MURAL PAINTERS
By ARTHUR HOEBER
_Author, Artist, and Critic_
[Illustration]
THE MENTOR · DEPARTMENT OF FINE ARTS · SEPT. 15, 1914
_MENTOR GRAVURES_
RETURN OF THE BATTLE FLAGS By Edward Simmons
THE APOTHEOSIS OF PENNSYLVANIA By E. A. Abbey
THE BENEFICENCE OF THE LAW By Kenyon Cox
HOSEA--DETAIL OF THE PROPHETS By John Sargent
DETAIL OF THE ANTHONY DREXEL MEMORIAL CHANCEL By E. H. Blashfield
THE PLEIADES By Elihu Vedder
[Illustration: DAWN, by T. W. Dewing
Ceiling decoration in the grill of the Hotel Imperial, New York City
“Oh, tenderly the haughty day
Fills his blue urn with fire!”
--Ralph Waldo Emerson.]
Public-domain text, read in full here on John Shaqi.
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