The Mentor: American Naturalists, Vol. 7, Num. 9, Serial No. 181, June 15, 1919Ingersoll, Ernest
History
The Mentor: American Naturalists, Vol. 7, Num. 9, Serial No. 181, June 15, 1919
Ingersoll, Ernest
Natural history -- United States; Naturalists -- United States -- Biography
Even at this early period of his life young Audubon forsook his classes
at school to roam the woods searching for birds' nests. In his early
teens he began to make drawings of birds that appeared near his home on
the west coast of France. For a short time he studied in Paris under the
famous artist, Jacques Louis David. At eighteen, Audubon was sent to
America to learn the English language and the business methods of the
New World. The tall, handsome boy found much happiness in discovering
the wild denizens of his father's farm, "Mill Grove,"--a small estate
near Philadelphia purchased by Captain Audubon during a visit to the
United States. Here Audubon first had opportunity to study American bird
life. He was a Nature lover, and he was also a gay young dandy, "notable
for the elegance of his figure and the beauty of his features." When he
met the charming Lucy Bakewell, whose father owned an adjoining estate,
he immediately loved and courted her. It was she who became the guiding
spirit of his life, who inspired him and, with material assistance,
aided him to achieve his ambitions. Though engaged in business, the
youth's heart was in the woods and fields. His method of posing lifeless
subjects was unique, and his drawings were expertly done and very
natural.
In 1808, Audubon married Lucy Bakewell and took her to live in the
frontier settlement of Louisville, Kentucky. There a son was born. With
a wife and child to support, Audubon continued his career as a merchant,
and for several years owned and operated a store and mill at Henderson,
Kentucky. In 1819 he failed in business, saving only a few personal
possessions, including his drawings and his gun. As taxidermist, teacher
and artist he earned a scant living during several disheartening years.
His wife took a position as governess, and later became mistress of a
private school in the South. The impelling motive of the naturalist's
life was now the publication of his "Ornithology," for which he
continued to make drawings under the most adverse conditions. Often he
was reduced to painting signs and giving music and dancing lessons. To
earn a passage on a boat during an exploring tour he would sometimes
offer to do crayon portraits of the captain and passengers.
Public-domain text, read in full here on John Shaqi.
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