The Messiah of the CylinderEmanuel, V. R. (Victor Rousseau)
Philosophy
The Messiah of the Cylinder
Emanuel, V. R. (Victor Rousseau)
Science fiction
From the school we went to the workshop. On the way home we stopped at
one of the open-air moving picture shows, and saw two or three
dramatized versions of public affairs. Ingenious mechanism synchronized
the movements of the figures upon the screen, which were in stereoscopic
relief, with speeches made through the telephone funnels. These, David
said, took the place of newspapers when the socialized State destroyed
the printed news-sheet by the simple process of killing the advertising.
We also looked inside the district art gallery. None of the pictures
antedated the year 1978, and each illustrated some phase of the new
civilization in an educational way. I must not forget to say that later
I found a novel in David’s home, which Elizabeth must have read in her
schoolgirl days. The scene was laid in the early twentieth century, and
the story dealt with the adventures of a young man of property,
depicting the romance of his care-free life. A moral at the end, and
copious footnotes, inserted by the Council’s order, drew attention to
the improvement in the human lot since that barbarous period.
So, day by day, I waited, and my eyes were opened more and more to my
environment. Daily I expected the Council summons that did not come, and
daily the constraint grew. I was thinking of suggesting to David that I
should be located among the other strangers in place of continuing to
accept his hospitality; but before I could decide to approach him an
incident occurred which revealed to me the existence of conditions
which, unintelligible though they were, made me decide to approach David
again with a view to a mutual understanding.
David was at the Strangers’ Bureau and would not return for at least two
hours. Under Elizabeth’s instruction I had made swift progress in
understanding the combinations of syllables that make up the written
language. I had just begun, in fact, to master the ingenious Brebœuf
system, whereby the simpler of the syllables have been combined to form
the written speech of four of the five Provinces. David had told me that
the Council’s inability to enforce the invented language Spekezi as the
universal tongue, had been one of the severest shocks that the new
civilization had received. Then came Brebœuf with his universal syllabic
symbols.
Now, if the written language were merely pictorial, it could have been
used to represent all the languages on earth. But since it is syllabic,
and therefore depicts words instead of ideas, it was a supreme
achievement to have invented a written language adapted to four tongues.
The Brebœuf system is based, of course, upon the common Latin and
Sanskrit elements. Brebœuf, who was one of the last of the classical
scholars, was rewarded, as is well known, by being freed from the
defectives’ art factories in his old age, and pensioned.
Public-domain text, read in full here on John Shaqi.
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