Text| 1| 2| 3| 4| 5| 6| 7| 8| 9|10|11|12| 13 |14|15|16 |17|18| Cam
----+--+--+--+--+--+--+--+--+--+--+--+--+------+--+--+---+--+--+----
CS | 1 1 1 1 1 1 1 1 1 1 1 1 1.2. 1 1 (1) 1 1 1
| 2 2 2 2 2 2 2 2 2 2 2 2 3.4. 2 2 (2) 2 2 3.8.
| 3 3 3 3 3 3 3 3 3 3 3 3 6.5. 3 3 (3) 3 3 2
| 4 4 5 4 4 4 4 4 4 4 4 4 7.8. 4 4 (4) 4 4 10
| 5 5 -- 5 5 5 5 5 5 8 8 -- 11.12. 5 5 (5) 5 5 9
|-- -- 4 6 6 6 6 -- 6 9 9 -- -- 6 15 6 6 6 11
|-- -- 6 7 7 7 7 -- 7 11 11 -- -- 12 16 7 7 7 --
| 8 12 12 -- 31.32.
| 5 5 5 15.16.
| 6 6 6 --
| 7 7 -- 9.10.
| 10 10 -- 13.14.
----+--+--+--+--+--+--+--+--+--+--+--+--+------+--+--+--+---+--+---
IS | [A] [B] [C][D] [E]
[A] stanzas 6. 7. 8. (3)
[B] 17 to 30. (14)
[C] 7 to 11 (5)
[D] 6 to 14 (9)
[E] 6. 7. 13. 18 resemble A Version.
4. 5. 12. 14 to 17. 19 to 22 independent (11)
It will be seen from the table that eleven of these texts have seven
stanzas in common, and that fifteen of them have five in common. Of the
three remaining texts, MS. Harl. 984 has a missing leaf, but would
clearly appear to belong to the seven-stanza type, raising the above
numbers to twelve texts of seven stanzas, and sixteen of five. MS.
Selden again obviously represents the usual seven-stanza type with the
accidental omission of verse 5. MS. Titus has four of the customary five
verses, breaks off to follow the arrangement of the Lambeth MS., and
comes to an end after copying two of the additional verses in the
Lambeth text before reaching the usual fifth verse. Assuming that it
represents a transcription of the Lambeth text, MS. Titus might be
classed with the five-stanza type, or possibly, like MS. Lambeth, with
the seven-stanza type. It may therefore be assumed that all eighteen of
the B texts have five stanzas in common, or are based upon such a common
type, and that thirteen, or possibly fourteen of them, represent a
common type with seven stanzas, six of which are further found in the
Cambridge text. These common stanzas vary very little in the different
MSS. as regards either the actual text or the order of lines and
stanzas, and it seems probable that the normal B version consisted of
seven stanzas, ending with a personal exhortation which has been
omitted, or possibly not yet added, in five of the texts. In four
MSS.--Lambeth, Laud, Rawl. P., and Harl. 4486--an interesting final
stanza, containing a prayer, has been added. Three of these texts, MSS.
Lamb., Laud, and Rawl. P., correspond in three other additional stanzas,
which seems to point to some closer relationship between them, and two,
Public-domain text, read in full here on John Shaqi.
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