The scene was sordid, the arrangements primitive, the detail of the
procedure, as it struck me, well-nigh of the rudest; yet I remember
rejoicing in it all--as one indeed might perfectly rejoice in the
juiciness of joints and the abundance of accessory pudding; for I said
to myself under every shock and at the hint of every savour that this
was what it was for an exhibition to reek with local colour, and one
could dispense with a napkin, with a crusty roll, with room for one's
elbows or one's feet, with an immunity from intermittence of the "plain
boiled," much better than one could dispense with that. There were
restaurants galore even at that time in New York and in Boston, but I
had never before had to do with an eating-house and had not yet seen the
little old English world of Dickens, let alone of the ever-haunting
Hogarth, of Smollett and of Boswell, drenched with such a flood of
light. As one sat there one _understood_; one drew out the severe séance
not to stay the assault of precious conspiring truths, not to break the
current of in-rushing telltale suggestion. Every face was a documentary
scrap, half a dozen broken words to piece with half a dozen others, and
so on and on; every sound was strong, whether rich and fine or only
queer and coarse; everything in this order drew a positive sweetness
from never being--whatever else it was--gracelessly flat. The very
rudeness was ripe, the very commonness was conscious--that is not
related to mere other forms of the same, but to matters as different as
possible, into which it shaded off and off or up and up; the image in
fine was organic, rounded and complete, as definite as a Dutch picture
of low life hung on a museum wall. "Low" I say in respect to the life;
but that was the point for me, that whereas the smartness and newness
beyond the sea supposedly disavowed the low, they did so but thinly and
vainly, falling markedly short of the high; which the little boxed and
boiled Albany attained to some effect of, after a fashion of its own,
just by having its so thoroughly appreciable note-value in a scheme of
manners. It was imbedded, so to speak, in the scheme, and it borrowed
lights, it borrowed even glooms, from so much neighbouring distinction.
The places across the sea, as they to my then eyes faintly after-glowed,
had no impinging borders but those of the desert to borrow _from_. And
if it be asked of me whether all the while I insist, for demonstration
of the complacency with which I desire to revert, on not regretting the
disappearance of such too long surviving sordidries as those I have
evoked, I can but answer that blind emotion, in whichever sense
directed, has nothing to say to the question and that the sense of what
we just _could_ confidently live by at a given far-away hour is a simple
stout fact of relief.
Public-domain text, read in full here on John Shaqi.
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