The Mirror of Literature, Amusement, and Instruction. Volume 14, No. 385, August 15, 1829Various
History
The Mirror of Literature, Amusement, and Instruction. Volume 14, No. 385, August 15, 1829
Various
Popular literature -- Great Britain -- Periodicals
This instrument, Des Cartes and others, have made use of, to account
for the natural cause and generation of wind; and hence its name,
Aeolipile, _pila Aeoli_, Aeolus's ball.
In Italy it is said that the Aeolipile is commonly made use of to cure
smoky chimneys; for being hung over the fire, the blast arising from
it carries up the loitering smoke along with it. This instrument was
known to the ancients, and is mentioned by Vitruvius.
Some late authors have discovered the extraordinary use to which the
frauds of the heathen priesthood applied the Aeolipile, viz. the
working of sham miracles. Besides _Jack of Hilton_, which had been
an ancient Saxon, image, or idol, Mr. Weber shows, that _Pluster_, a
celebrated German idol, is also of the Aeolipile kind, and in virtue
thereof, could do noble feats: being filled with a fluid, and then
set on the fire, it would be covered with sweat, and as the heat
increased, would at length burst out into flames.
An Aeolipile of great antiquity, made of brass, was some years since
dug up on the site of the Basingstoke Canal, and presented to the
Antiquarian Society of London. Instead of being globular, with a bent
tube, it is in the form of a grotesque human figure, and the blast
proceeds from its mouth.
P.T.W.
* * * * *
ORIGIN OF WEARING THE VEIL.
(_For The Mirror_.)
The origin of the veil is referred by the Greeks to modesty and
bashfulness.
About thirty furlongs from the city of Sparta, Icarius placed a
statue of MODESTY, for the purpose of perpetuating the following
incident:--Icarius having married his daughter to Ulysses, solicited
his son-in-law to fix his household in Sparta, and remain there with
his wife, to which Ulysses would not consent.
Icarius made the request to his daughter, conjuring her not to abandon
him, but seeing her ready to depart with Ulysses, for Ithaca, he
redoubled his efforts to detain her, nor could he be prevailed on to
desist from following the chariot on the way.
Ulysses wearied with the importunities of Icarius, said to his wife,
"_You_ can best answer this request; it is yours to determine whether
you will remain with your father at Sparta, or depart with your
husband for Ithaca; you are mistress of the decision."
The beautiful Penelope finding herself in this dilemma, blushed, and
without making the least reply, drew her veil over her face, thereby
intimating a denial to her father's request, and sunk into the arms of
her husband.
Icarius, very sensibly affected by this behaviour, and being desirous
of transmitting it to posterity by the most durable monument,
consecrated a statue to Modesty, on the very spot where Penelope had
thrown the veil over her face; that after her it might be a universal
symbol of delicacy among the fair sex.
C.K.W.
* * * * *
Public-domain text, read in full here on John Shaqi.
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