The Mirror of Literature, Amusement, and Instruction. Volume 19, No. 549 (Supplementary number)Various
General
The Mirror of Literature, Amusement, and Instruction. Volume 19, No. 549 (Supplementary number)
Various
Popular literature -- Great Britain -- Periodicals
"We now found ourselves in a deep narrow ravine, filled with beautiful
groves, with a steep avenue, and various footpaths winding through it,
bordered with stone seats, and ornamented with fountains. To our left,
we beheld the towers of the Alhambra beetling above us; to our right,
on the opposite side of the ravine, we were equally dominated by
rival towers on a rocky eminence. These, we were told, were the Torres
Vermejos, or vermilion towers, so called from their ruddy hue. No one
knows their origin. They are of a date much anterior to the Alhambra:
some suppose them to have been built by the Romans; others, by some
wandering colony of Phoenicians. Ascending the steep and shady avenue,
we arrived at the foot of a huge square Moorish tower; forming a kind
of barbican, through which passed the main entrance to the fortress.
Within the barbican was another group of veteran invalids, one
mounting guard at the portal, while the rest, wrapped in their
tattered cloaks, slept on the stone benches. This portal is called the
Gate of Justice, from the tribunal held within its porch during the
Moslem domination, for the immediate trial of petty causes: a custom
common to the Oriental nations, and occasionally alluded to in the
Sacred Scriptures.
"The great vestibule or porch of the gate, is formed by an immense
Arabian arch, of the horse-shoe form, which springs to half the height
of the tower. On the key-stone of this arch is engraven a gigantic
hand. Within the vestibule, on the key-stone of the portal, is
sculptured, in like manner, a gigantic key. Those who pretend to some
knowledge of Mahometan symbols, affirm that the hand is the emblem of
doctrine, and the key of faith; the latter, they add, was emblazoned
on the standard of the Moslems when they subdued Andalusia, in
opposition to the Christian emblem of the Cross. A different
explanation, however, was given by the legitimate son of the Alhambra,
and one more in unison with the notions of the common people, who
attach something of mystery and magic to every thing Moorish, and have
all kind of superstitions connected with this old Moslem fortress.
"According to Mateo, it was a tradition handed down from the oldest
inhabitants, and which he had from his father and grandfather,
that the hand and key were magical devices on which the fate of the
Alhambra depended. The Moorish King who built it was a great magician,
or, as some believed, had sold himself to the devil, and had laid
the whole fortress under a magic spell. By this means it had remained
standing for several hundred years, in defiance of storms and
earthquakes, while almost all other buildings of the Moors had fallen
to ruin, and disappeared. This spell, the tradition went on to say,
would last until the hand on the outer arch should reach down and
grasp the key, when the whole pile would tumble to pieces, and all the
treasures buried beneath it by the Moors would be revealed.
Public-domain text, read in full here on John Shaqi.
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