"Notwithstanding this ominous prediction, we ventured to pass through the spell-bound gateway, feeling some little assurance against magic art in the protection of the Virgin, a statue of whom we observed above the portal. "After passing through the barbican, we ascended a narrow lane, winding between walls, and came on an open esplanade within the fortress, called the Plaza de los Algibes, or Place of the Cisterns, from great reservoirs which undermine it, cut in the living rock by the Moors for the supply of the fortress. Here, also, is a well of immense depth, furnishing the purest and coldest of water; another monument of the delicate taste of the Moors, who were indefatigable in their exertions to obtain that element in its crystal purity. "In front of this esplanade is the splendid pile commenced by Charles V., intended, it is said, to eclipse the residence of the Moslem kings. With all its grandeur and architectural merit, it appeared to us like an arrogant intrusion, and, passing by it, we entered a simple, unostentatious portal, opening into the interior of the Moorish palace. "The transition was almost magical: it seemed as if we were at once transported into other times and another realm, and were treading the scenes of Arabian story. We found ourselves in a great court, paved with white marble, and decorated at each end with light Moorish peristyles: it is called the Court of the Alberca. In the centre was an immense basin or fish-pond, a hundred and thirty feet in length by thirty in breadth, stocked with gold-fish and bordered by hedges of roses. At the upper end of this court rose the great Tower of Comares. "From the lower end we passed through a Moorish archway into the renowned Court of Lions. There is no part of the edifice that gives us a more complete idea of its original beauty and magnificence than this, for none has suffered so little from the ravages of time. In the centre stands the fountain famous in song and story. The alabaster basins still shed their diamond drops; and the twelve lions, which support them, cast forth their crystal streams as in the days of Boabdil. The court is laid out in flower-beds, and surrounded by light Arabian arcades of open filagree work, supported by slender pillars of white marble. The architecture, like that of all the other parts of the palace, is characterized by elegance rather than grandeur; bespeaking a delicate and graceful taste, and a disposition to indolent enjoyment. When one looks upon the fairy tracery of the peristyles, and the apparently fragile fretwork of the walls, it is difficult to believe that so much has survived the wear and tear of centuries, the shocks of earthquakes, the violence of war, and the quiet, though no less baneful, pilferrings of the tasteful traveller: it is almost sufficient to excuse the popular tradition, that the whole is protected by a magic charm.