The Mirror of Literature, Amusement, and Instruction. Volume 20, No. 556, July 7, 1832Various
General
The Mirror of Literature, Amusement, and Instruction. Volume 20, No. 556, July 7, 1832
Various
Popular literature -- Great Britain -- Periodicals
In all his conversations relative to Lady Byron, and they are frequent, he
declares that he is totally unconscious of the cause of her leaving him,
but suspects that the illnatured interposition of Mrs. Charlemont led to
it. It is a strange business! He declares that he left no means untried to
effect a reconciliation, and always adds with bitterness, "A day will
arrive when I shall be avenged. I feel that I shall not live long, and
when the grave has closed over me, what must she feel?" All who wish well
to Lady Byron must desire that she should not survive her husband, for the
all-atoning grave that gives oblivion to the errors of the dead, clothes
those of the living in such sombre colours to their own too-late awakened
feelings, as to render them wretched for life, and more than avenges the
real, or imagined wrongs of those we have lost for ever.
When Lord Byron was praising the mental and personal qualifications of
Lady Byron, I asked him how all that he now said agreed with certain
sarcasms supposed to bear a reference to her, in his works. He smiled,
shook his head, and said they were meant to spite and vex her, when he was
wounded and irritated at her refusing to receive or answer his letters;
that he was not sincere in his implied censures, and that he was sorry he
had written them; but notwithstanding this regret, and all his good
resolutions to avoid similar sins, he might on renewed provocation recur
to the same vengeance, though he allowed it was petty and unworthy of him.
Lord Byron speaks of his sister, Mrs. Leigh, constantly, and always with
strong expressions of affection; he says she is the most faultless person
he ever knew, and that she was his only source of consolation in his
troubles on the separation.
Byron is a great talker, his flippancy ceases in a _tête-à-tête_, and he
becomes sententious, abandoning himself to the subject and seeming to
think aloud, though his language has the appearance of stiffness, and is
quite opposed to the trifling chit-chat that he enters into when in
general society. I attribute this to his having lived so much alone, as
also to the desire he now professes of applying himself to prose writing.
He affects a sort of Johnsonian tone, likes very much to be listened to,
and seems to observe the effect he produces on his hearer. In mixed
society his ambition is to appear the man of fashion, he adopts a light
tone of badinage and persiflage that does not sit gracefully on him, but
is always anxious to turn the subject to his own personal affairs, or
feelings, which are either lamented with an air of melancholy, or dwelt on
with playful ridicule, according to the humour he happens to be in.
Public-domain text, read in full here on John Shaqi.
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