Byron has remarkable penetration in discovering the characters of those around him, and he piques himself extremely on it: he also thinks he has fathomed the recesses of his own mind; but he is mistaken: with much that is _little_ (which he suspects) in his character, there is much that is great, that he does not give himself credit for: his first impulses are always good, but his temper, which is impatient, prevents his acting on the cool dictates of reason; and it appears to me, that in judging himself, Byron mistakes temper for character, and takes the ebullitions of the first, for the indications of the nature of the second. He declares, that in addition to his other failings, avarice is now established. This new vice, like all the others, he attributes to himself, he talks of as one would name those of an acquaintance, in a sort of deprecating, yet half mocking tone; as much as to say, you see I know all my faults better than you do, though I don't choose to correct them: indeed, it has often occurred to me, that he brings forward his defects, as if in anticipation of some one else exposing them, which he would not like; as though he affects the contrary, he is jealous of being found fault with, and shows it in a thousand ways. He affects to dislike hearing his works praised or referred to; I say affects, because I am sure it is not real or natural; as he who loves praise, as Byron evidently does, in other things, cannot dislike it for that in which he must be conscious it is deserved. He refers to his feats in horsemanship, shooting at a mark, and swimming, in a way that proves he likes to be complimented on them; and nothing appears to give him more satisfaction than being considered a man of fashion, who had great success in fashionable society in London, when he resided there. He is peculiarly compassionate to the poor; I remarked that he rarely, in our rides, passed a mendicant without giving him charity, which was invariably bestowed with gentleness and kindness; this was still more observable if the person was deformed, as if he sympathized with the object.