The Mirror of Taste, and Dramatic Censor, Vol. I, No. 1, January 1810
General
The Mirror of Taste, and Dramatic Censor, Vol. I, No. 1, January 1810
Drama -- Periodicals; Theater -- Periodicals
player. During the remainder of the season he continued with Stephen
Kemble, without at all appearing on the stage. From Edinburgh he went
with the company to Newcastle-upon-Tyne, there he lived as dependent,
inactive, and undistinguished as before, till, owing to the want of a
person to fill the part of Malcolm in Macbeth, he was cast to that
humble character. In so inferior a sphere did he begin to move who is
now become one of the brightest luminaries of the theatrical hemisphere.
His debut was even less flattering than his reception from the manager
had been. Till the last scene he passed through tolerably well, but when
he came to the lines which conclude the play--
"So thanks to all at once, and to each one,
Whom we invite to see us crown'd at Scone."
After stretching out his hands and assuming the attitude and smile of
thankfulness, a slight embarrassment checked him, and he paused, still
keeping his posture and his look--the prompter made himself heard by
every one but the bewildered Malcolm, who still continued mute, every
instant of his silence naturally increasing ten-fold his
perplexity--Macduff whispered the words in his ear--Macbeth who lay
slaughtered at his feet, broke the bonds of death to assist his dumb
successor, the prompter spoke almost to vociferation. Each thane dead or
alive joined his voice--but this was only "confusion worse
confounded"--if he could have spoken the amazed prince might with great
justice have said, "So thanks to all at once"--but his utterance was
gone "_vox faucibus haesit_"--a hiss presently broke out in the pit, the
clamor soon became general, and the curtain went down, amid a universal
condemnation."
No part of biography is so interesting, or affecting as that which
brings before us the struggles of unassisted vigour and genius with the
obstructions which accident, or the ignorance or malice of vulgar souls
throw in their way, and their ultimate triumph over adversity. Few men
have enjoyed that triumph more than Mr. Cooper, for few have in their
outset met with a more mortifying repulse, or more discouraging
difficulties. There are not many whose resolution could have outlived
such a cruel discomfiture as that at Edinburgh: but on him it seemed to
have the happy effect of steeling his natural fortitude, and sending his
spirit forward in its career with increased impetuosity.
Public-domain text, read in full here on John Shaqi.
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